Egypt

Great chorus, weak soloists: thank heaven Handel's oratorio Israel in Egypt, like his oratorio Messiah, is more a work for chorus with orchestra and vocal soloists than, like most of his other oratorios, a work for vocal soloists with orchestra and chorus. From a choral point of view, this 2006 recording by the Chamber Orchestra of Europe is indeed superlative. The international chorus sings with surprising unanimity, amazing cohesion, and impressive diction.

Ancient Egyptian civilization is so grand that our minds sometimes have difficulty adjusting to it. Consider time. Ancient Egyptian civilization lasted 3,000 years, longer than any other on the planet. When the young pharaoh Tutankhamen ruled Egypt, the pyramids of Giza had already been standing well over 1,000 years. When Cleopatra came to power, Tutankhamen had been in his tomb more than 1,000 years.

No great civilization continues to speak to us like that of ancient Egypt. But what is it about this ancient civilization that still captures our imaginations? What made Egypt special, allowing it to grow, in Professor Bob Brier's words, "from a scattering of villages across the Nile to the greatest power the world had ever seen"?

Ancient Egyptian civilization is so grand that our minds sometimes have difficulty adjusting to it. Consider time. Ancient Egyptian civilization lasted 3,000 years, longer than any other on the planet. When the young pharaoh Tutankhamen ruled Egypt, the pyramids of Giza had already been standing well over 1,000 years. When Cleopatra came to power, Tutankhamen had been in his tomb more than 1,000 years.

Apollo's Fire's founder and director Jeannette Sorrell is "a masterful musical storyteller" (Seen and Heard). The Maestra and her acclaimed baroque orchestra add to their distinguished AVIE discography that includes Handel's Dixit Dominus and Messiah, with her own adaptation of the composer's oratorio Israel in Egypt.