Electronic Music

Music Theory for Electronic Music Producers: The producers guide to harmony, chord progressions

Music Theory for Electronic Music Producers: The producers guide to harmony, chord progressions, and song structure in the MIDI grid. by Dr. J. Anthony Allen PhD
English | March 31, 2018 | ISBN: 069209329X | 262 pages | EPUB | 4.51 Mb

Electronic Music School: A Contemporary Approach to Teaching Musical Creativity  eBooks & eLearning

Posted by yoyoloit at July 2, 2021
Electronic Music School: A Contemporary Approach to Teaching Musical Creativity

Electronic Music School
by Kuhn, Will; Hein, Ethan;

English | 2021 | ISBN: 0190076631 | 321 pages | True PDF | 38.33 MB

Teaching Electronic Music  eBooks & eLearning

Posted by roxul at Nov. 19, 2024
Teaching Electronic Music

Blake Stevens, "Teaching Electronic Music "
English | ISBN: 036741578X | 2021 | 240 pages | EPUB | 3 MB

Teaching Electronic Music  eBooks & eLearning

Posted by arundhati at Nov. 20, 2024
Teaching Electronic Music

Blake Stevens, "Teaching Electronic Music "
English | ISBN: 036741578X | 2021 | 240 pages | PDF | 4 MB

The Cambridge Companion to Electronic Music  eBooks & eLearning

Posted by roxul at Feb. 28, 2025
The Cambridge Companion to Electronic Music

Nick Collins, "The Cambridge Companion to Electronic Music "
English | ISBN: 0521688655 | 2008 | 314 pages | AZW3 | 2 MB
Various Artists – Institute of Sonology 1959-69 – Early Electronic Music (2003)

Various Artists – Institute of Sonology 1959-69 – Early Electronic Music (2003)
Avant-garde/Contemporary | FLAC lossless | cuesheets+log | covers+booklet | 1h13m59s | 368mb
Label: Sub Rosa | cat. no. SR164

VA - New Sounds In Electronic Music (1967)  Music

Posted by Rtax at June 25, 2023
VA - New Sounds In Electronic Music (1967)

VA - New Sounds In Electronic Music (1967)
MP3 CBR 320 kbps - 99 MB
42:29 | Electronic, Abstract, Experimental | Label: Columbia Records

One of the most beautifully pressed vinyls of electronic music with 3 important works: Steve Reich "Come Out" (see Reich's Early Works), Richard Maxfield "Night Music," and Pauline Oliveros "I of IV." Maxfield's "Night Music" is an exquisite pre-synthesizer electronic music made – like his pieces "Sine Music" (1959) and "Trinity Piece" (1960) – with only the supersonic bias signal of a tape recorder and a supersonic sawtooth waveform from an oscilloscope producing audio range difference tone "ghosts". Identical in feeling to a response to the sound of birds and insects on a summer night in a city park. "I of IV" is a good example of Oliveros' earlier electronic music using a configuration of tape recorders patched into each other with magnetic tape spliced in loops so that a form of "automatic generation" system was created by feedback. Similar to Richard Maxfield, Oliveros used bias frequencies of tape recorders and difference, or lower "ghost tones" produced by the interference of very high frequencies.

Composing Electronic Music: A New Aesthetic  eBooks & eLearning

Posted by Rare-1 at Jan. 10, 2017
Composing Electronic Music: A New Aesthetic

Curtis Roads, "Composing Electronic Music: A New Aesthetic"
ISBN: 0195373235 | 2015 | PDF | 512 pages | 23.76 MB

The Cognitive Continuum of Electronic Music  eBooks & eLearning

Posted by Grev27 at Jan. 8, 2022
The Cognitive Continuum of Electronic Music

The Cognitive Continuum of Electronic Music by Anil Çamci
English | ISBN: 1501357123, 150138807X | 308 pages | EPUB | December 30, 2021 | 1.05 Mb

Mars by 1980: The Story of Electronic Music  eBooks & eLearning

Posted by IrGens at Feb. 17, 2024
Mars by 1980: The Story of Electronic Music

Mars by 1980: The Story of Electronic Music by David Stubbs
English | January 1, 2018 | ISBN: 0571323979 | True EPUB | 448 pages | 5.2 MB