This film, which opens with Pass playing alone on six wonderful tunes, was made during a European tour that took place some months before the recording of their second album as a duet, titled precisely Fitzgerald & Pass Again, taped on February 8, 1975. Thus, it presents some tunes that would be part of that LP, making this program (and probably the whole tour) a kind of rehearsal for the songs to be included on the studio album.
A hundred years after her birth, there are still plenty of lessons to be learned from listening to Ella Fitzgerald. But that s not the only takeaway that Regina Carter has gleaned from Ella s storied career. On her new album, Ella: Accentuate the Positive, the virtuoso violinist reveals the many aspects of Fitzgerald that have influenced her own remarkable path in music. That translates to an album that avoids the more obvious song choices in favor of more obscure though no less rewarding tunes from deep inside Ella s bountiful catalogue. Instead of trying to echo Fitzgerald s own choices and arrangements, or attempting the near-impossible task of evoking her beloved voice on the violin, Carter has done what has always set her apart followed her own dauntless instincts, resulting in a singular new take on both familiar and hidden classics.
An appearance in Hollywood for a first-rate jazz vocalist was not necessarily an opportunity to broadcast your visage and pander to everyone from Tacoma to Tallahassee. It could also include a date at the Crescendo, the Sunset Strip's best chance to find premier jazz. Gene Norman's nightclub hosted dozens of jazz legends (and a comic or two), and produced more than its share of excellent LPs recorded on location. Better even than Mel Tormé's 1954 classic, the Ella Fitzgerald LP that resulted from her May 1961 appearances generated one of the best (and certainly most underrated) live records in her discography – and almost 50 years later, it became a four-CD set compiling ten days' worth of performances.