John Cornelius Hodges began working with Duke Ellington in 1928 and soon became one of the prime voices in the Ellington orchestra. Hodges began leading his own recording ensembles - actually scaled-down versions of Duke's band - in 1937. Occasionally sitting in with other leaders like Lionel Hampton, Hodges also led groups of his own, including a quartet at New York's Apollo Club during the summer of 1948 and five of the six bands heard on this first volume of his complete recordings in chronological order. (All records issued under Hodges' name prior to 1947 have been included in the massive Classics chronology of Duke Ellington.) Sandy Williams' Big Eight was one of many ensembles recording for the Hot Record Society - and one of the very best of them…
This release will have fans of Eric Dolphy salivating as it includes some long-lost work that jazz scholars didn't know existed at all. When the premiere reissue producer Michael Cuscuna researched all known Pacific Jazz tapes attributed to Chico Hamilton, all he came across were three edited numbers from this session, two of which had appeared on a compilation and another only on a DJ sampler. But this release is due to the luck of a Canadian resident who was digging through a used record bin in his hometown of Brighton, England, where he found a copy of The Ellington Suite with the personnel listed from a later session and a near mint blank test pressing of what turned out to be the long lost Chico Hamilton original version with Dolphy.
Jean-Luc Fillon is a French oboist, English Horn player, double bass player, electric bass player, orchestra conductor and composer. He began in 1987 as oboe soloist in the European Symphonic Orchestra, and since 2001, Fillon has made numerous musical compositions that use the oboe and English Horn in jazz and improvisation.
Known in her heyday as "the blues sensation of the West," the big-voiced Sara Martin was one of the best of the classic female blues singers of the '20s. Martin began her career as a vaudeville performer, switching to blues singing in the early '20s. In 1922, she began recording for OKeh Records, cutting a number of bawdy blues like "Mean Tight Mama." She continued recording until 1928. During this time, Martin became a popular performer on the southern Theater Owners' Booking Association circuits, eventually playing theaters and clubs on the east coast as well. In the early '30s, Sara Martin retired from blues singing and settled in her hometown of Louisville, Kentucky. While she was in Louisville, she ran a nursing home and occasionally sang gospel in church. Sara Martin died after suffering a stroke in 1955.
What defines an American? Is it the love of liberty, the pursuit of justice, the urge to invent, the desire for wealth, the drive to explore, the quest for spiritual values? The paradox of the American identity is that although the United States is a melting pot of many different traditions, motives, and ideals, there are nevertheless distinctive qualities that define the American character.
320 Momentous Hits & Notable Tracks From The Warner Bros. Archives on Custom Metal USB Flash Drive The Equivalent of 20 CDs with Over 21+ Total Hours of Music!