Ellow Travelers (original Series Soundtrack)

The Man Who Fell to Earth is an American science fiction television series created by Jenny Lumet and Alex Kurtzman, based on the 1963 novel of the same name by Walter Tevis. It is a sequel to the 1976 film starring David Bowie.

John Lunn’s music possesses a wonderfully unique voice that spans a wide spectrum of musical styles. Classically trained, yet contemporary in attitude, he combines a highly intelligent and sensitive approach with a sound that always hits at the emotional heart of a piece. His scores, which match the highest production values with a continual desire to discover new colors and sounds, are continuously in high demand. He is probably best known for scoring the hugely successful flagship ITV/NBC/PBS/Carnival Films drama, Downton Abbey, for which he has received two Primetime Emmy Awards, in 2012 and 2013 (with a further nomination in 2014), and two BAFTA Nominations, in 2012 and 2016. John is currently scoring the upcoming Downton Abbey Movie, due to be released on 13 September 2019.

The details of the latest soundtrack album for the Paramount+ original series Yellowstone have been revealed. The album features selections of the original score from the show’s fourth season composed by Brian Tyler (Iron Man 3, Fast & Furious, Avengers: Age of Ultron, Crazy Rich Asians) and Breton Vivian (Five Feet Apart, Redeeming Love).

Bear McCreary is an American musician and composer of film, television, and video games scores based in Los Angeles, California. He is best known for his work on Agents of S.H.I.E.L.D. and the reimagined Battlestar Galactica television series, as well as Outlander and The Walking Dead. He also scored the 2018 PlayStation 4 video game God of War and will do so again for its 2022 sequel, Ragnarök, as well as the 2019 feature film, Godzilla: King of the Monsters.
McCreary has been nominated for an Emmy for Outstanding Music Composition for a Series for his work on season one of Outlander and won one Emmy for the main title of Da Vinci's Demons. He has also won a BAFTA for his work on God of War.

Brooklyn-based composer Giancarlo Vulcano has been steadily making a name for himself in comedy television for a number of years now, initially finding his niche as part of the music team for Saturday Night Live. Moving up to eventual scoring duties on that show’s fictious behind-the-scenes counterpart, 30 Rock, he has subsequently lent his talents to the hit Netflix show Unbreakable Kimmy Schmidt. More recently he created the music for the hotly-anticipated neo-noir series Briarpatch, from Legion co-producer Andy Greenwald and TV wunderkind Sam Esmail (Mr. Robot and Homecoming).

10 years since his debut as The Haxan Cloak, Bobby Krlic bears his sharpened teeth as an eminent soundtrack composer with a suitably pitch black and tense OST for period crime drama ‘The Alienist’ Leading down the ginnel from his acclaimed score to ‘Midsommar’ in 2019, Krlic again proves his fluency in the language of music for moving images with 10 sparing, skin-chilling cues and themes suggestive of the series’ atmospheres, revolving a semi-fictional police drama about a serial killer who is murdering street kids in late C.19th New York City, itself adapted from the novels of the same title by Caleb Carr.

Nate Walcott is a composer, arranger, keyboard player, and trumpet player. He is a member of the band Bright Eyes, and has composed the scores for several feature-length films, including the 2014 blockbuster The Fault In Our Stars; Midnight Sun (2018, starring Bella Thorne), Come And Find Me, (2016, starring Aaron Paul and Annabelle Wallis); the Josh Boone written and directed Stuck in Love, (2012, starring Greg Kinnear and Jennifer Connelly); Lovely Still, (2008, starring Ellen Burstyn and Martin Landau), and the short film Wig Shop, (2016, starring Emily Mortimer). He also co-composed (alongside friends Jenny Lewis and Johnathan Rice) the score for the film Song One (2014), starring Anne Hathaway. Most recently, he has composed the score for the mini-series “The Stand”, an adaptation of the book by Stephen King, which is currently streaming on CBS All Access.

“For this period drama with a stylish contemporary twist, Jones has eschewed the period elegance that defined his superlative MY COUSIN RACHEL score and given HARLOTS its own superlative treatment through a very modern vibe with a lot of attitude that befits the independent and self-assured characters depicted in the show. The soundtrack mixes electronica and stoner rock genres, underpinning the story and reflecting the experiences and rebellious nature of the ladies; and it’s a deliciously faded jewel and a most welcome musical bedfellow.

Incredible Score by John Murphy (Sunshine, 28 Weeks Later, Lock, Stock and Two Smoking Barrels, Kick-Ass) Television adaptation of Victor Hugo's classic novel which follows Jean Valjean as he evades capture by the unyielding Inspector Javert. Set against a backdrop of post-Napoleonic France as unrest beings to grip the city of Paris once more. This 6 episode, tv mini series is a drama, with a score, not a musical.