Emmanuelle

Emmanuelle Han, filmmaker and explorer has a passion: travelling around the world to meet people living in remote parts of the world. In this series she travels on the most beautiful train rides and makes fascinating encounters as she gets off at the different stations.Among Emmanuelle's destinations are China as she takes the "Dragon of the Himalaya", the highest train in the world, linking Beijing to Lassa and Cuba aboard the "Tren franc�s" between Havana and Santiago.Other destinations include Sicily, Argentina, Turkey and Australia.

In this fascinating and unconventional examination of the creative process, an artist near the end of his career finds new inspiration in a young model. Edouard Frenhofer (Michel Piccoli) is a famous and well-respected artist who lives in a comfortable estate in the French countryside. At the age of 60, Frenhofer considers his career as a painter to be over; he says he no longer feels any inspiration to create, and his last attempt at a major work, a nude study of his wife Liz (Jane Birkin) called "La Belle Noiseuse" (The Beautiful Nuisance), has sat unfinished for ten years. Just as Frenhofer has lost his enthusiasm for his art, he has also lost his passion for Liz; their relationship is polite and friendly, but without enthusiasm. When Frenhofer tells Nicolas (David Bursztein), his young protege, that he no longer feels the desire to paint, Nicolas suggests that he needs a more inspiring subject, and he offers his girlfriend Marianne (Emmanuelle Beart) as a model. Frenhofer is taken with Marianne's beauty, and, with Liz's cool approval, he and Marianne spend several arduous sessions together, exchanging ideas and opinions as Frenhofer methodically attempts to create a final masterpiece.

Roman Polanski adapts David Ives Tony Award-winning Broadway play about a frustrated theater director whose growing obsession with a volatile actress signals the start of an unexpected power shift. Exhausted after a day of unsuccessful auditions for the female lead in his play exploring the volatile relationship between a domineering mistress and her willing male subject, writer/director Thomas (Mathieu Amalric) broods over his lack of success when tempestuous actress Vanda (Emmanuelle Seigner) blows into the theater like a sweltering summer storm. Though at first reluctant to give the overly-assertive and questionably-talented actress an audition, Thomas eventually relents. Subsequently captivated by her intense erotic energy, he gradually begins to realize she was more prepared than initial appearances suggested, and that she's perfect for the role. Yet in his spellbound state, Michael fails to notice that Vanda - who even shares the same name as her fictional counterpart - has slyly managed to turn the tables on him and before long their relationship begins to strike an eerie parallel with those of his impassioned characters.