Erasure

Live at the Royal Albert Hall is a live album released by English synthpop duo Erasure in 2007. It is a double-CD set that is a recording of a concert appearance performed on 25 September 2007 at the Royal Albert Hall in London. This concert was a performance to promote the band's 2007 album Light at the End of the World. It was recorded and distributed in conjunction with Live Here Now and was available only through direct order and as a digital download via Live Here Now. Because of this limited availability, the album was ineligible for the UK Albums Chart. A DVD of the same concert was released at the beginning of 2008 and got wider commercial release so that it charted at #7 in the UK music DVD chart and at #19 in the German music DVD chart.

Erasure presents their new album Day-Glo (Based On A True Story) on vinyl and CD. An unexpected album, featuring 10 brand new songs, each track created using elements from The Neon universe. Familiar but unexpected, the songs bear little resemblance to the original album, although echoes of The Neon can be heard from time to time. The album is an alternative look at Vince and Andy’s world, and marks the closure of this chapter of The Neon.

Released three years after Chorus, I Say I Say I Say found Erasure for the first time fully interested in essentially staying in place. The album as a whole is at base an attractively redressed version of what the duo had already done, the occasional slight surprise notwithstanding. While Clarke in particular shows some virtuosity with his performances, helped by Human League/Heaven 17 veteran Martyn Ware's production, I Say lacks any real novelty (certainly Bell's singing isn't going to change any earlier perceptions, positive or negative). It's not as experimentally indulgent as the self-titled album or unfortunately unmemorable as Cowboy, but it's still not quite the group at its sharp pop finest track for track.

Originally released in 1991, the classic Erasure album Chorus was the band’s fifth album and their 3rd UK number one. Remastered with a second CD of B-Sides, Remixes (including 4 new remixes) and Rarities plus a third CD containing live "Chorus" performances from the Phantasmagorical Entertainment tour.
No longer making a big American splash outside of its fanbase and alternative radio - and about to be turned into yesterday's news thanks to the techno/hardcore explosion - Erasure on Chorus concentrated on just sounding like itself. With the notable exception of the hypersassy "Love to Hate You," Bell steers away from campiness in favor of a series of gentler meditations and impassioned pleas…

The Innocents was the third proper studio release from Erasure, released in 1988. Produced by Stephen Hague and released by Mute Records in the UK and Sire Records in the U.S., it was the release that made Erasure superstars in their home country and gave them their long-awaited breakthrough in the U.S….