Blues Rock is one of the most guitar-centric styles of music that you can play. It has it’s roots in the blues but it’s been amped up with a more aggressive and riff-driven approach cultivated by players like Eric Clapton, Jimmy Page, Johnny Winter, Billy Gibbons, Hendrix and so many other giants of that era.
Blues Rock is one of the most guitar-centric styles of music that you can play. It has it’s roots in the blues but it’s been amped up with a more aggressive and riff-driven approach cultivated by players like Eric Clapton, Jimmy Page, Johnny Winter, Billy Gibbons, Hendrix and so many other giants of that era.
Learning Blues haphazardly can be very frustrating—a lick here, a lick there—so having a complete system that takes you by the hand from the basic progressions and tools to advanced blues soloing can save you months of dead-end trial and error. With this course, you'll learn the notes, chords, and form that make up the blues. You'll also build a strong repertoire of ready-to-use riffs (shown in both music and TAB) that can immediately be incorporated into your playing. You'll hear exactly what to play with each session's "Hearing the Blues" ear training exercises. Explore and demonstrate your new skills with a real band in a variety of musical settings using the Jam-Along CD and DVD.
Singer/Guitarist Brownie McGhee and his life-long musical partner, blind harp-man, Sonny Terry are best known as champions of the "Piedmont"-style blues pioneered by artists such as Blind Blake, Blind Willie McTell and Blind Boy Fuller. In the 1960s, they became icons of the folk-blues revival. The recording presented here however showcase a different chapter of the story. This is a collection of raw and rocking jump blues cut between 1947 and 1955 for juke boxes in black beer joints and dancehalls by the New Jersey-based Savoy Record company. Essential blues recordings from two of the genres' most revered artists.
Without a doubt, Two Steps from the Blues is the definitive Bobby "Blue" Bland album and one of the great records in electric blues and soul-blues. In fact, it's one of the key albums in modern blues, marking a turning point when juke joint blues were seamlessly blended with gospel and Southern soul, creating a distinctly Southern sound where all of these styles blended so thoroughly it was impossible to tell where one began and one ended. Given his Memphis background, Bobby "Blue" Bland was perfectly suited for this kind of amalgam as envisioned by producer/arranger Joe Scott, who crafted these wailing horn arrangements that sounded as impassioned as Bland's full-throated, anguished vocals. It helped, of course, that the songs were uniformly brilliant…