Evidence Conclusion

Acclaimed vibraphonist Joel Ross returns with his remarkable fourth Blue Note release 'nublues', an album of blues and ballads as refracted through the prism of one of the most creative modern jazz groups of our time. Communication is a key element of the album; both the communication between the musicians and the listener with an emphasis on singable melodies, as well as the profound and intuitive musical conversation that occurs within this tight-knit band featuring Immanuel Wilkins on alto saxophone, Jeremy Corren on piano, Kanoa Mendenhall on bass, Jeremy Dutton on drums, and special guest Gabrielle Garo on flute. The 10 tracks here include seven new Ross originals as well as pieces by John Coltrane ('equinox' and 'central park west') and Thelonious Monk ('evidence') many of which are performed as spontaneous suites with the band moving seamlessly across the blues-imbued musical terrain.

Like many Northern cities, Leeds enjoyed an explosion of music triggered by the big bang of punk rock in 1977. Indie labels sprung up to cater for a new wave of bands, who carved their own identity as the 80s dawned. ‘Where Were You’ is the first comprehensive anthology of Leeds’ independent music from that period, through to the end of the 1980s. From punk to goth, indie pop to industrial dancefloor, out-and-out pop to underground psychedelia, the four hours’ worth of recordings here are a celebration of the musical diversity emanating from the city’s studios and clubs.

Cissy Houston, Myrna Smith, Sylvia Shemwell, and Estelle Brown had deep separate and shared histories when they became the Sweet Inspirations in 1967. That April, hot off backing Aretha Franklin and Van Morrison at the studio dates that yielded "(You Make Me Feel Like) A Natural Woman" and "Brown Eyed Girl," the singers recorded their first session as headliners for Atlantic. The group left Atlantic Recording Studios with ardent interpretations of contemporary material that, depending on the source, either reaffirmed its gospel foundation or took it to church, but none of the resulting songs – all eventual A-sides – truly shook up the charts. This would typify the Sweet Inspirations' four years with the label. Perhaps the women were underserved. Only two of their nine charting singles were written for them, and the one that did best, "Sweet Inspiration" – their lone Top 20 pop and Top Ten soul hit – was dashed off by Dan Penn and Spooner Oldham after the songwriting duo watched them attempt to spin gold from straw in the studio. Unfulfilled commercial promise notwithstanding, the group during these years – with Ann Williams replacing Houston in 1969, then leaving her partners a trio the next year – produced a high volume of powerful R&B and gospel.

Don Byas Takes His Place Among the Greats A historical document of jazz at a time when the musicians, steeped in the swing tradition, were creating and setting the mold for the modern sounds of bebop. An Underappreciated Master
While Don Byas is lauded for his breathtaking solos – sumptuous and creamy on ballads, thoughtful and potent on uptempo numbers – his absence from the scene in the U.S. and a lack of recorded evidence might be reasons he is unfairly overlooked.
Starting today, Mosaic Records presents that evidence. Don Byas — who claimed to be inspired by Art Tatum more than any horn player — always considered himself more of a swing musician than a bebopper, but that might be because harmonic and rhythmic innovation were such important components of his personal style that he may not even have realized what an innovator and inspiration he was. Tenor saxophonists who followed him couldn’t help but take note of his highly inventive phrasing, with melodies that disregarded bar lines when he was still working on a thought; notes that squeezed in hurriedly to ornament the end of a line; and seductive shifts in register that were always unexpected surprises. If your ears and experience prepared you for something more typical, Byas gave you that and more.

Don Byas Takes His Place Among the Greats A historical document of jazz at a time when the musicians, steeped in the swing tradition, were creating and setting the mold for the modern sounds of bebop. An Underappreciated Master
While Don Byas is lauded for his breathtaking solos – sumptuous and creamy on ballads, thoughtful and potent on uptempo numbers – his absence from the scene in the U.S. and a lack of recorded evidence might be reasons he is unfairly overlooked.
Starting today, Mosaic Records presents that evidence. Don Byas — who claimed to be inspired by Art Tatum more than any horn player — always considered himself more of a swing musician than a bebopper, but that might be because harmonic and rhythmic innovation were such important components of his personal style that he may not even have realized what an innovator and inspiration he was. Tenor saxophonists who followed him couldn’t help but take note of his highly inventive phrasing, with melodies that disregarded bar lines when he was still working on a thought; notes that squeezed in hurriedly to ornament the end of a line; and seductive shifts in register that were always unexpected surprises. If your ears and experience prepared you for something more typical, Byas gave you that and more.

This 4CD collection collates 8 of the finest albums revered soprano saxophonist Steve Lacy recorded as either leader or co-leader. A pioneer and originator of experimental jazz, Lacy is widely credited as bringing the soprano sax back into the mainstay after a period of neglect. This new set serves to highlight the great man's importance, acting as an ideal starting point for those unacquainted or a welcome reminder to those already versed.

70s Soul 45s displays a variety of stylistic content of the material, that is, will be, and perhaps will be, just a discovery. As well as an addition to your collection and archives. With the support of the performers Voices Of East Harlem, Gwen Mccrae, Tower Of Power, Jackie Moore, Blue Magic, Margie Joseph, Betty Wright, Dee Dee Warwick the contrast of this selection is filled.

Composer Enis Rotthoff (Guns Akimbo, The Sunlit Night) is on his way to becoming one of the leading voices in the German film scoring scene. His blend of classic orchestral arrangements mixed with progressive electronics provides a unique and layered approach to how he tells a story through sound. In his latest work, Enis lends his talents to the psychological thriller The Good Neighbor, directed by Stephan Rick (The Dark Side of the Moon).Scoring Records International is releasing The Good Neighbor (Original Motion Picture Soundtrack) on Friday, July 22nd

Fantastic Beasts: The Secrets of Dumbledore is a 2022 fantasy film directed by David Yates from a screenplay by J. K. Rowling and Steve Kloves. It is the sequel to Fantastic Beasts: The Crimes of Grindelwald (2018), the third instalment in the Fantastic Beasts film series, and the eleventh overall in the Wizarding World franchise.Pianist, producer, and composer James Newton Howard scored over 60 films beginning in the mid-'80s, including The Fugitive, The Prince of Tides, Pretty Woman, Glengarry Glen Ross, Batman Begins, Michael Clayton, and the Hunger Games series.He has received numerous Oscar nominations, and won an Emmy Award for his theme for the television show Gideon's Crossing and a Grammy Award in 2009 for his work on The Dark Knight. Those accolades brought continued high-profile film work, such as 2012's The Bourne Legacy, the Hunger Games franchise, and the Huntsman film series. He made his debut in the Harry Potter universe with 2016's Fantastic Beasts and Where to Find Them.