Following the Second World War (1945-1949), Beirut established itself as the cultural capital of the Middle East, with the Lebanese music scene leading the way. Lebanese music has a distinct sound due to the country’s unique fusion of Western and Eastern influences. Even Lebanese folk compositions often reference Western contemporary music. After 15 years of civil war and a decade of post war rehabilitation, the situation of alternative art and especially music was very poor in Lebanon. Things began to change around 2000 with the arrival of a new generation of musicians, born at the beginning and during the war, more interested in experimental art forms than in fame or glory. The experimental music scene in Beirut, may exist in relative geographic isolation from other global movements of a similar ilk, but over the past fifteen years it has become a dynamic hub for a dense concentration of fiercely independent musical voices. From humble beginnings and tiny numbers, the close-knit community has grown and thrived.
The electronic music emanating from the Scandinavian region encompasses a vast universe and has a long tradition behind it. In 1964 the electronic music studio EMS in Stockholm opened as a conventional analogue studio, its primary intention being to build the world’s most advanced hybrid studio and to conduct an international research program into sound and sound perception. Since then the Scandinavian electronic music scene has continued to flourish decade upon decade, culminating in the most recent ambient and minimalistic sound shapes. Unexplained Sounds Group, started researching Scandinavian electronic and experimental music in 2015 when it published the Scandinavian experimental underground 015 survey.