Luc Beauséjour, a highly sought-after musician for his virtuosity and the subtlety of his playing on the harpsichord and organ, is never short of ideas when it comes to offering concert programs imbued with refinement. The repertoire heard on this recording, originally written for the harpsichord during the Baroque period, is being played here on piano. If many pianists have played Bach, Scarlatti, Handel, Rameau, and even Couperin and Froberger, few harpsichordists have come to the defense of the harpsichord repertoire on the modern piano with such conviction and audacity. Fascinating!
With the stresses and strains of modern life to contend with, many turn to classical music for solace and this varied collection of over seven and a half hours of relaxing favorites is the perfect antidote to the pressures of modern life. The set is themed and starts with two CDs of choral music, many of which are vocal arrangements of familiar favorites. These are followed by CDs devoted respectfully to flute and harp, the classical guitar, piano and orchestral music. Those who enjoyed the 101 Adagios set will find much to enjoy here, and can be reassured that any duplication is kept to an absolute minimum and where it does occur, is in strikingly different arrangements. The artists at the helm of this relaxing journey include the choirs of King s College Cambridge and the New College Oxford, flautist William Bennett and harpist Marisa Robles, Pepe Romero, Vladimir Ashkenazy, Herbert von Karajan and Sir Georg Solti.
A fine straight-ahead jazz saxophonist, Eric Alexander grew up in the state of Washington. He initially attended Indiana University, studying classical music as an altoist. However, he soon discovered jazz, switched to the tenor, and transferred to William Paterson College in New Jersey. After graduating, he moved to Chicago and gained important experience touring with Charles Earland while also becoming a fixture in local clubs. In 1991, Alexander placed second at the Thelonious Monk Institute's saxophone competition, finishing just behind Joshua Redman…
Ranestrane is a Rome 'based Italian group that does NOT fit into the classic RPI mode, as they opt for a more conventional methodology, staying away from the classic RPI ingredients of injecting such influential details as operatic vocals, pastoral acoustic tinges, wild changes of pace and mostly, the tried and true influence of canzone, Italian folk/popular music that gives it such character. Though they are listed here as RPI, the focus is more on Floydian soundscapes, elongated mood samples on which the soloists (Massimo Pomo the guitarist and the talented keysman Riccardo Romano)…
The five works on the first disc are by two of the sons of J.S. Bach, and all are examples of what were known at the time as trios. Yet they are a diverse group, reflecting not only the distinct styles of their two composers by also the various types of sonatas written by them. The works on the second disc illuminate the crucial role played by C.P.E. Bach in the shift from the Baroque to the Rococo style and the tremendous artistic value of his work. On the faculty at Duke University, flutist Rebecca Troxler specializes in the music of J.S. Bach's sons and other Rococo composers and this repertoire shows off her warm tone, stylish phrasing and brilliant technique.
Reinhard Goebel and Musica Antiqua Koln s recordings of J. S. Bach are classics of the Early Music movement. Equally revelatory is their championing of the music of the Bach family stretching from the mid-17th to the late 18th century: a treasure trove of vocal and instrumental works. Here they are complete in a single box for the first time, with Magdalena Kozená a stunning soloist.