Kiril Kondrashin was perhaps the greatest conductor to emerge from the Soviet Union. Trained at the Moscow Conervatory, he led most of the Soviet Union's great orchestras although he is most well-known for his stints at the Bolshoi Theater and as principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1976. He defected to the west in 1979 during a tour in Holland. He was immediately named a principal conductor alongside Bernard Haitink to the Royal Concertgebouw Orchestra.
This massive six-disc compilation covers some of the best of Kondrashin's work while behind the iron curtain. It includes no less than four of Prokofiev's major works: the First and Third Piano Concertos, the Second Violin Concerto, and the October Cantata, Op. 74, a work for which he gave the original premiere performance in 1966.
While Glenn Gould was a pianist who performed the works of many composers, his name is inextricably linked to that of Johann Sebastian Bach. More than any other composer, Bach was Gould's speciality. From his first recording of Bach's Goldberg Variations in 1955 to his final recording, again of the Goldberg Variations in 1981, Gould recorded nearly all of Bach's keyboard music.
The first comprehensive Edition of Beethoven's Complete Works! More than 700 works / 87 CDs for an incredible price! Qualitative excellent recordings (DDD) from 1987 - 2007. In a space saving and aesthetic casket.
This Edition with a total of 748 works was arranged based on the well-known “Beethoven-Compendium” of Barry Cooper (Thames & Hudson Ltd., London 1991).
The combination of this unique Beethoven Edition is definitely the extensive works of Beethoven which has ever exist.
Born in Tallinn in 1962, Paavo Järvi is renowned for his dynamic interpretations and innovative programming. He has held prominent positions with leading orchestras, including the Cincinnati Symphony Orchestra, Orchestre de Paris, NHK Symphony Orchestra, Deutsche Kammerphilharmonie Bremen, or the Tonhalle-Orchester Zürich more recently. Paavo Järvi's approach combines technical precision with expressive depth, making him a favourite among musicians and audiences alike.
Most of the time, this is a stunning Schubert recital. Together, soprano Johannette Zomer and pianofortist Arthur Schoonderwoerd have put together a program that balances songs and solos. Between sets of the two Suleika settings, the three Ellens Gesang including the "Ave Maria," the single Gretchen am Spinnrade, and the final Mignon, they have placed the very early Fantasie in D minor, a pair of reflective minuets, and the introspective Adagio in C major. Together, Zomer and Schoonderwoerd perform marvelously.
All the great conductors on Deutsche Grammophon from the 1930s to the 2000s in one essential box set! A 40-CD original-jacket collection! Several recordings are new to CD, or have their first international CD release. Iconic recordings alongside rarer gems. 112-page booklet with new liner notes by Julian Haylock. The ideal cornerstone for any library of orchestral music.
In this electrifying recording, pianist Peter Donohoe shows how much more there is to Ferruccio Busoni than solo transcriptions of J.S. Bach. Many of the late-19th-century Italian composer’s original works, though, still pay homage to musical heroes. “Sonatina No. 6” (“Super Carmen”) is a wildly imaginative fantasy on Bizet’s opera, packed with perhaps more drama and nonchalance than the original. It’s the seven brooding Elegien that get to the heart of Busoni’s genius, however, each thrilling miniature a showcase for some astonishing, inventive piano writing. (“No. 4,” for example, transforms “Greensleeves” into a technical tour de force of sparkling originality.) Still, no Busoni recording would be complete without Bach, and this album’s final tracks are devoted to the Toccata, Adagio & Fugue in C Major, a mighty homage to the power of the pipe organ.
Martha Argerich's associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist’s most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order. Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.