Flac Time Pink Floyd

Tribute albums are always a hit and miss affair. Sadly this latest Pink Floyd tribute album falls mostly in the miss area.The majority of the songs on offer are little more than low quality carbon copies of the originals with little to no creative interpretations added.

After performing hundreds of concerts throughout Europe, enchanting thousands of people and playing festivals alongside all time greats like Jethro Tull, Joe Cocker, Manfred Mann and Asia, Echoes are now one of the premier Pink Floyd Tribute Bands. To echo the music has never been enough for this band and so the elaborate live shows convey the grandeur in all its facets.
In 2014 "Pink Floyd’s star pupils" (Vogtland-Anzeiger) ventured a new course and on top of their typically atypical renditions of Pink Floyd’s music they dared an experiment: the Pink Floyd acoustic concert - no amps, no safety net and no smoke and mirrors…

Recorded live in East Rutherford, N.J. on July 17th, 1994 at the Giants Stadium.

Atom Heart Mother, for all its glories, was an acquired taste, and Pink Floyd wisely decided to trim back its orchestral excesses for its follow-up, Meddle. Opening with a deliberately surging "One of These Days," Meddle spends most of its time with sonic textures and elongated compositions, most notably on its epic closer, "Echoes." If there aren't pop songs in the classic sense (even on the level of the group's contributions to Ummagumma), there is a uniform tone, ranging from the pastoral "A Pillow of Winds" to "Fearless," with its insistent refrain hinting at latter-day Floyd. Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era…

Being the quintessential album rock band, Pink Floyd hasn't had much luck with "best-of" and "greatest-hits" compilations, like A Collection of Great Dance Songs and the bizarro follow-up, Works. Since both of those were released in the early '80s (and time travel being unavailable even to Pink Floyd), they obviously left out any tracks from the post-Roger Waters era albums…

Pink Floyd's supporting shows in 1980 and 1981 for Roger Waters' narcissistic, nihilistic epic The Wall are the stuff of rock & roll legend. Throughout the '70s, the band earned the reputation as one of the best live acts in rock & roll – and not just because they delivered musically but because they delivered a full-fledged show. They had model planes crashing into the stage, giant inflated pigs hovering around the arena and, of course, astonishing live shows. All of Floyd's showmanship culminated in The Wall, an album that wasn't only a story, it was designed to be a theatrical experience. And that's exactly what Floyd designed under the direction of Waters and with the assistance of such artisans as animator Gerald Scarfe and stage designers Mark Fisher and Jonathan Park.