Flash Forward

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.

A thirtysomething single mother whose boundless potential was squandered through a series of failed relationships and a misguided effort to help her younger sister succeed in life finds the fruits of her labors finally coming together in director Christine Jeffs' dark family comedy. Back in high school, the future looked pretty bright for Rose Lorkowski (Amy Adams); not only was she the cheerleading captain, but she was also dating the star quarterback. Flash forward a little over a decade, and Rose is working overtime in hopes of getting her son into a better school. Her sister, Norah (Emily Blunt), is still living at home with their father, Joe (Alan Arkin), a failed salesman whose penchant for jumping into get-rich-quick schemes has left the family without a financial net to fall back on. Rose may be down, but she certainly isn't out, and when she hatches a plan to launch a crime-scene cleanup business, the money starts rolling in.

After Charles Forsyth was sent to the electric chair for a crime he didn't commit, he forever haunts the prison where he was executed. Flash forward several years when the prison is reopened, under the control of its new warden Eaton Sharpe, a former security guard who framed Charlie. When prisoners are ordered to break down the wall to the execution room, they unknowingly release the angry spirit of Charles Forsyth, a powerful being distributing his murderous rage to all, leading up to the Warden himself.