Flash Forward

Nés en 68 / Born in 68 - by Olivier Ducastel, Jacques Martineau (2008)

A group of revolutionary students experiences rebellion, enlightenment, and change while establishing a commune devoted to free love, anarchy, and nudism, only to see their children eventually engage in a similarly styled rebellion 20 years later. The year was 1968: Catherine, Yves, and Hervé were 20 years old, and the revolt in May had turned their lives upside down.

Serge Gainsbourg - L'Essentiel Des Albums Studio 1958-1987 (2011) {Mercury 277 162-7 - 14 Albums On 12 CDs}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.40 Gb | MP3 @320 -> 958 Mb
Full Artwork @ 300 dpi (png) -> 176 Mb | 5% repair rar
© 1958-87, 2011 Mercury / Universal Music France | 277 162-7
Pop / International / Chanson / French Pop / French Rock / Western European Traditions / Cabaret

Being familiar with some of his work (basically the hit songs) I had no idea of the legacy this brilliant man has left behind. To my complete surprise this (ridiculously low priced) box set opened a new musical world before my ears and from the very first listening I have felt madly and hopelessly in love with Serge Gainsbourg's music. The quality of these recordings is matched by the quality of sound. The remastering is top notch and superior to most digital transfers heard today. I only wish this incredible set had been released on vinyl as well.

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.

During the last ice age glaciers slowly carved away the landscape creating mineral rich sediment. For hundreds of thousands of years melt water carried this fine-grained sediment downstream to parts of North America. In some areas strong winds carried this sediment and deposited it forming a network of ridges and dunes. These deposits of loose silty wind-blown, or aeolian, sediment are called Loess. Flash forward to the present, and the duo of Clay Emerson and Ian Pullman may seem to have gone the way of the glaciers and all but disappeared. Instead, their signature loose aural silt has been slowly and methodically accumulating and now makes up their new full-length Pocosin. Others may have no point of reference and Pocosin is a welcome introduction to the sound of Loess; in a mere blink of an eye from when they began.

Tongue-in-cheek humor prevails in Batman, a witty homage to the Dynamic Duo's exaggerated exploits. The Caped Crusaders (Adam West and Burt Ward) are called in as a last resort when the criminal masterminds of the millennium team up to conquer Gotham City by turning the U.N. Security Council into dehydrated dust; among the villains are the Joker (Cesar Romero), Catwoman (Lee Meriwether), the Riddler (Frank Gorshin), and the Penguin (Burgess Meredith). The entire cast is excellent, particularly West and Ward, who distinguish themselves among a standout list with hilariously straight-faced performances. The film includes some truly memorable scenes, highlighted by a particularly tenacious shark with a vertical leap that would put Spud Webb to shame and a bomb on the waterfront with no place to explode (nuns, infants and lovebirds beware!).