To simplify my life considerably, I'm going to combine the "reviews" of all six Stage releases into a single entry, even though they were released individually. Also, to save a lot of time and effort, I'm not going to give complete track listings of the twelve discs, or do song-by-song reviews (hey, we're talking over 800 minutes of music here, give me a break). If you need to know the track listings, they're probably available through an on-line music sales site like CDNow, or an information site like the All Music Guide. There's probably a few other Zappa sites that list them as well. Maybe one day when I have the time, I'll come back and expand this section to really cover all twelve discs in detail. Until then, I'll just give some general facts and opinions, focusing on highlights and material unique to the Stage series.
Frank Zappa’s concerts at the Roxy Theatre in Holywood in December 1973 are legendary. Frank and the Mothers played three nights on December 8th, 9th & 10th and these shows formed the basis of the “Roxy & Elsewhere” album that was released in 1974…
Beat the Boots is a collection of bootleg recordings by Frank Zappa which were originally distributed illegally but were released officially by Rhino Entertainment in 1991. The recordings were available as individual CDs and as an LP or cassette box set. The eight discs span a fifteen-year period from September 30, 1967 ('Tis the Season to Be Jelly) to May 21, 1982 (two tracks on As an Am).
This is the second (and final) bootleg-gone-legit box that was actually sanctioned by Frank Zappa. But rather than go to the expense and time to use better sources – which the artist presumably had access to – he simply ripped off the illicit recordings that had been doing the same to him for decades. And voila, Beat the Boots was born. Zappa enlisted Rhino Records to manufacture and distribute the anthologies – which were packaged to appear as if the contents were being sold in a low budget cardboard box. However once inside Beat the Boots!, Vol. 2 (1992), consumers were treated to a full LP jacket-sized 40-page memorabilia scrapbook, a black felt beret and a red pin/badge bearing the hammer-in-fist artwork emblazoned on it.