Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).
Issued in 2006, Something for the Weekend is a unique Brass Construction compilation. Rather than cram as many single edits of A-sides as possible, it selects ten of the band's songs in either full album or extended 12" form. Its scope covers the earliest single, 1976's number one R&B hit "Movin'," through the last one to chart, 1985's "Give and Take." There's not enough room for each significant Brass Construction recording, but it's a satisfying alternative for those who are typically frustrated by edit-heavy anthologies. This was released by Stateside, a catalog subsidiary of Capitol in the U.K.
Brass Construction continued to avoid the scrap heap, turning out another better-than-expected album. There were two more good singles in "Walkin' the Line" and "We Can Work It Out," and the production, arrangements, instrumental support, and vocals were all more inspired than they had been in the past.
The Dirty Dozen Brass Band certainly knew how to have a good time while playing their music. Their spirited blending of New Orleans jazz parade rhythms with R&B-ish horn riffs made them flexible enough to welcome guests Dr. John (who sings and play piano on "It's All Over Now"), Dizzy Gillespie ("Ooh-Pop-A-Dah"), and Branford Marsalis ("Moose the Mooche") to their Columbia debut without altering their music at all. With Gregory Davis and Efrem Towns playing strong trumpet in the ensembles and occasional solos, and with sousaphonist Kirk Joseph not letting up for a moment, this is a typically spirited set by the unique DDBB.