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by John Kirton (Editor), Marina Larionova (Editor)

No eighteenth-century composer was so adept at so many musical styles as Georg Philipp Telemann. Telemann's versatility and inventiveness kept his musical style avant-garde during his entire life. He was not only praised by his contemporaries but was highly respected by the next generation: his fame was immense. Thererfore New Collegium, one of the promising ensembles of the younger generation, has chosen for their first CD on the Ramée label to show Telemann the chameleon, the breadth of his musical palette. Some of the pieces will undoubtedly sound familiar; others, such as the Italianate Trio for violin and cello obbligato, or the pastoral Trio for two violins in scordatura, will surely be delightful, new surprises for many. Coming in and out of disguise with Telemann’s chameleonic notes we often find ourselves wondering: is this truly music by just one composer, not six?

No eighteenth-century composer was so adept at so many musical styles as Georg Philipp Telemann. Telemann's versatility and inventiveness kept his musical style avant-garde during his entire life. He was not only praised by his contemporaries but was highly respected by the next generation: his fame was immense. Thererfore New Collegium, one of the promising ensembles of the younger generation, has chosen for their first CD on the Ramée label to show Telemann the chameleon, the breadth of his musical palette.

This album is the third volume of Tartini’s works for violin and basso continuo, adding another significant recording to Dynamic’s releases of music by the Baroque composer. The performers are the duo Crtomir Šiškovic (violin) and Luca Ferrini (harpsichord), the same artists as on the first two volumes (CDS7744 and CDS7775). Both musicians are acclaimed specialists in this repertoire. The sonatas recorded here are taken from the manuscripts numbered 1905. This rare recording is currently not matched elsewhere on the market.

Duets, sonatas, caprices for violin and cello. This musical itinerary of duets, sonatas and caprices offers an experience that is both varied and fascinating. Performing the music of the great 18th century violinists with an accompaniment of cello solo reveals a new sound image. The fullness of sound of only two instruments of the same family is surprising, while the infinite colours and the uncommon pliability presented by this combination reveal unforgettable moments of music.

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