Genesis Trespass

Wind & Wuthering followed quickly on the heels of A Trick of the Tail and they're very much cut from the same cloth, working the same English eccentric ground that was the group's stock in trade since Trespass. But if A Trick of the Tail played like Genesis' attempt at crafting a great Genesis record without Peter Gabriel, as a way of finding their footing as a quartet, Wind & Wuthering finds Genesis tentatively figuring out what their identity will be in this new phase of their career…

Genesis - Foxtrot (1972) {2013 Japan Mini LP SHM-CD Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 338 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (tiff) -> 325 Mb | 5% repair rar
© 2013 Charisma / Universal Music Japan | VJCP-98017
Rock / Art Rock / Prog Rock

Cardboard sleeve (mini LP) reissue from Genesis features the high-fidelity SHM-CD format (compatible with standard CD players) and 2008 digital remastering. Genesis mini-LP SHM-CD reissue series consists of the following 5 titles: "Trespass," "Nursery Cryme," "Foxtrot," "Selling England By The Pound," and "THE LAMB LIES DOWN ON BROADWAY."

Genesis - Selling England By The Pound (1973) {2013 Japan Mini LP SHM-CD Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 355 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 600 dpi (tiff) -> 265 Mb | 5% repair rar
© 2013 Charisma / Universal Music Japan | VJCP-98018
Rock / Art Rock / Prog Rock

Cardboard sleeve (mini LP) reissue from Genesis features the high-fidelity SHM-CD format (compatible with standard CD players) and 2008 digital remastering. Genesis mini-LP SHM-CD reissue series consists of the following 5 titles: "Trespass," "Nursery Cryme," "Foxtrot," "Selling England By The Pound," and "THE LAMB LIES DOWN ON BROADWAY."

Wind & Wuthering followed quickly on the heels of A Trick of the Tail and they're very much cut from the same cloth, working the same English eccentric ground that was the group's stock in trade since Trespass. But if A Trick of the Tail played like Genesis' attempt at crafting a great Genesis record without Peter Gabriel, as a way of finding their footing as a quartet, Wind & Wuthering finds Genesis tentatively figuring out what their identity will be in this new phase of their career. The most obvious indication of this is Mike Rutherford's "Your Own Special Way," which is both the poppiest tune the group had cut and also the first that could qualify as a love song. It stands out on a record that is, apart from that, a standard Genesis record, but quite a good one in that regard.

Founded in the late '60s in Surrey, England, Genesis rose out of the ashes of earlier bands formed by schoolmates Peter Gabriel, Tony Banks, Michael Rutherford, and Anthony Phillips (who departed after 1969's Trespass, the album providing the final track on this stellar retrospective). Guitarist Steve Hackett soon signed on, as did drummer/vocalist Phil Collins, who'd later emerge (as would Gabriel) as a solo superstar. Following Gabriel's 1975 departure, Genesis grew from a progressive art-rock outfit into one of the biggest arena rock acts ever, with a long string of platinum-sellers and chart smashes.

End of the trilogy dedicated to the music of Genesis, arranged by the pianist Jaume Vilaseca and interpreted by his trio and some collaborators of the Catalan jazz scene. This completes a project that began in 2008, continued in 2015 (Jazznesis II) and culminates with a third volume that maintains the commitment and intensity of the previous ones…

If Genesis truly established themselves as progressive rockers on Trespass, Nursery Cryme is where their signature persona was unveiled: true English eccentrics, one part Lewis Carroll and one part Syd Barrett, creating a fanciful world that emphasized the band's instrumental prowess as much as Peter Gabriel's theatricality. Which isn't to say that all of Nursery Cryme works. There are times when the whimsy is overwhelming, just as there are periods when there's too much instrumental indulgence, yet there's a charm to this indulgence, since the group is letting itself run wild. Even if they've yet to find the furthest reaches of their imagination, part of the charm is hearing them test out its limits, something that does result in genuine masterpieces, as on "The Musical Box" and "The Return of the Giant Hogweed," two epics that dominate the first side of the album and give it its foundation…

If Genesis truly established themselves as progressive rockers on Trespass, Nursery Cryme is where their signature persona was unveiled: true English eccentrics, one part Lewis Carroll and one part Syd Barrett, creating a fanciful world that emphasized the band's instrumental prowess as much as Peter Gabriel's theatricality. Which isn't to say that all of Nursery Cryme works. There are times when the whimsy is overwhelming, just as there are periods when there's too much instrumental indulgence, yet there's a charm to this indulgence, since the group is letting itself run wild.