The 'Up Close And Personal' range looks at the history of English progressive rock band Genesis. Stunning live performance footage showcases the talents of the band, with footage from both the Gabriel and Collins era as leading journalists and critics make a study of the band in performance.
"…And Then There Were Three…" is the ninth studio album by the British band Genesis and was released in 1978. It is the band's first album without guitarist Steve Hackett since 1970's "Trespass", and the third with Phil Collins on lead vocals, having replaced Peter Gabriel after his departure in 1975.
The theatrical flair and musical innovation lent to Genesisbetween the years 1967 and 1975 by its founder, Peter Gabriel, comes under critical review in this insightful examination. Included is rare performance footage of The Knife which Gabriel made famous by introducing the now-common practice of stage diving to its strains; performances of The Musical Box,Selling England By The Pound and Dancing Out With The Moonlit Knight are also highlights. Fleshing out the band footage is a team of leading critics, musicians, and writers, who reveal their opinions and knowledge of this enduring music.
Essential: a masterpiece of progressive rock music.
“Octopus” is a fitting title, since the band is playing here like they’ve got extra arms. I have yet to hear any GG album so skillfully wrought as “Octopus”; if you’re approaching the band from the outside, this is definitely the right appetizer.
Essential: a masterpiece of progressive rock music.
A live album masterpiece. No other Yes live album comes close to this. As far as quality goes and the criticism it receives, I just don't get it.
Essential: a masterpiece of rock music
The kings have come
While Wishbone Ash may fall into the “Prog related” category, there is little doubt that “Argus” stands as one of the finest prog albums ever.
Rick Wakeman's third solo album is among his best, as he employs his vast array of keyboards to their full extent, musically describing the characters pertaining to the days of King Arthur's reign. With orchestra and choir included, although a little less prevalent than on Journey, he musically addresses the importance and distinguishing characteristics of each figure through the use of multiple synthesizers and accompanying instruments. "Lady of the Lake" is given a mystical, enchanted feel, perpetrated by a more subtle use of piano and synthesizer, while the battle of "Sir Lancelot and the Black Knight" is made up of a barrage of feuding keyboard runs and staccato riffs, musically recounting the intensity of the duel. But it's on "Merlin the Magician" where Wakeman truly shines, as the whimsy and peculiarity of this fabled figure is wonderfully conjured up through the frenzy of the synthesizer.
Rick Wakeman's third solo album is among his best, as he employs his vast array of keyboards to their full extent, musically describing the characters pertaining to the days of King Arthur's reign. With orchestra and choir included, although a little less prevalent than on Journey, he musically addresses the importance and distinguishing characteristics of each figure through the use of multiple synthesizers and accompanying instruments. "Lady of the Lake" is given a mystical, enchanted feel, perpetrated by a more subtle use of piano and synthesizer, while the battle of "Sir Lancelot and the Black Knight" is made up of a barrage of feuding keyboard runs and staccato riffs, musically recounting the intensity of the duel.