go Betweens

UK three CD set. While the likes of Rubber Soul, 'See My Friends' and 'Still I'm Sad' had served notice in 1965 of British pop's heightened level of ambition, 1966 would prove to be an even more tumultuous twelve-month period as experimentation and innovation grew to new levels. The release that August of Revolver brought the concept of psychedelic music out of the margins and into the mainstream. However, psychedelia had been percolating throughout the year. The word was already in subterranean use in America, adapted by the likes of The 13th Floor Elevators and Hollywood hustler Kim Fowley, who in late 1965 had become the first person to promote a record with the term "psychedelic". Featuring 84 tracks, A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966 examines the experimental pop element of the British music scene during that epochal twelve-month period with a dizzying, dazzling mix of nascent psychedelia, introspective pop and what's been retrospectively labelled freakbeat. We feature vital contributions from some of the era's biggest names (The Kinks, The Yardbirds, The Hollies, The Animals etc), a bunch of highly collectable cult classics, a huge stash of unissued-at-the-time nuggets and early outings for such future legends as Bowie, Bolan, Slade and The Bee Gees. Housed in a clamshell box containing a 52-page booklet crammed with biographical information and priceless period photos and memorabilia, A Slight Disturbance In My Mind is a glorious snapshot of British pop storming the gates of a new, strange and wonderful dawn.

UK three CD set. While the likes of Rubber Soul, 'See My Friends' and 'Still I'm Sad' had served notice in 1965 of British pop's heightened level of ambition, 1966 would prove to be an even more tumultuous twelve-month period as experimentation and innovation grew to new levels. The release that August of Revolver brought the concept of psychedelic music out of the margins and into the mainstream. However, psychedelia had been percolating throughout the year. The word was already in subterranean use in America, adapted by the likes of The 13th Floor Elevators and Hollywood hustler Kim Fowley, who in late 1965 had become the first person to promote a record with the term "psychedelic". Featuring 84 tracks, A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966 examines the experimental pop element of the British music scene during that epochal twelve-month period with a dizzying, dazzling mix of nascent psychedelia, introspective pop and what's been retrospectively labelled freakbeat. We feature vital contributions from some of the era's biggest names (The Kinks, The Yardbirds, The Hollies, The Animals etc), a bunch of highly collectable cult classics, a huge stash of unissued-at-the-time nuggets and early outings for such future legends as Bowie, Bolan, Slade and The Bee Gees. Housed in a clamshell box containing a 52-page booklet crammed with biographical information and priceless period photos and memorabilia, A Slight Disturbance In My Mind is a glorious snapshot of British pop storming the gates of a new, strange and wonderful dawn.

Slade are an English rock band from Wolverhampton, renamed in 1969 from Ambrose Slade. The original lineup consisted of Noddy Holder (vocals, guitar), Dave Hill (4) (guitar), Jim Lea (bass), Don Powell (drums).

Slade are an English rock band from Wolverhampton, renamed in 1969 from Ambrose Slade. The original lineup consisted of Noddy Holder (vocals, guitar), Dave Hill (4) (guitar), Jim Lea (bass), Don Powell (drums).

You Boiz Make Big Noiz - 2007 Japanese exclusive limited edition 24-Bit digitally remastered 15-track CD album, originally released in 1987, including three bonus tracks, presented in sealed mini LP-style card sleeve with fold-out Japanese info sheet + obi strip.

Throughout the 60s, New Zealand had always been three to six months behind overseas music and fashion. By 1970 we were virtually on a par with the overseas scene. There was now a wider musical gap as the rock became heavier and the pop became poppier. The teens that had grown up and lived through the sixties were now young adults and were generally looking for something else, there was a lot to pick from as Rock fused itself with everything from Country to Jazz. Meanwhile the next generation, that had grown up in the shadows of their older brothers and sisters hadn't finished with Pop music just yet while Mums and Dads were were still lapping up anything that could be sung along to.

Wilderness is a powerhouse of a record by Jade Jackson, a follow-up to her 2017 debut, Gilded. Her new work deals heavily with the in-betweens and stepping stones we dwell in and leap across while coming to terms with our sense of self, and how melancholy can be a powerful weapon to wield, especially in the form of a roots-rock or country song.