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The Happenings, the '60s vocal group known for their updated, four-part harmony arrangements of pop standards, scored a series of hits, starting in the summer of 1966 with their Top Ten revival of the Tempos' 1959 Top 40 hit "See You in September." The Happenings recorded for fellow vocal group the Tokens' label, B.T. Puppy Records. In the summer of 1968, after they had placed eight singles in the Hot 100, B.T. Puppy issued the 12-track LP Golden Hits!, which collected those eight hits – "See You in September" and the group's other Top Ten, "I Got Rhythm"; the Top 20 hits "Go Away Little Girl" and "My Mammy"; and the chart entries "Goodnight My Love," "Why Do Fools Fall in Love," "Music Music Music," and "Breaking Up Is Hard to Do" – as well as three non-charting singles, "Girl on a Swing," "Randy," and "Sealed With a Kiss," and a previously unreleased revival of "Tea for Two."

Astra is the third studio album by British rock band Asia, released in late 1985. It was the final studio album to feature original member John Wetton until 2008's reunion album Phoenix. The recording of the album took place at several studios in London during 1984-85. It reached #67 in the US on the Billboard 200 chart and #68 in the UK Albums Chart. Strangely, although Astra itself didn't make the top 50, two songs charted well on the US Hot Mainstream Rock Tracks chart, receiving radio airplay in various markets: "Go" (#7) and "Too Late" (#30), and the video of "Go" (based on the futuristic heroine on the album cover) received airplay on MTV.

The Rolling Stones’ 1981 tour was the biggest rock and roll event of the year. The size of the production, the length and the pubulicity surrounding it were unprecedented. They played in the biggest arenas, sometimes for multiple nights, and orchestrated a media blitz which saw them appear on television somewhere in the world at least once a week on local stations, syndicated shows like Rona Barrett’s new news program “Inside & Out” and on cable television with several appearances on the brand new channel MTV. The big tour finale was the pay-per-view broadcast by satellite on the final night…

The late 1950s were tough on Judy Garland, but this live recording, cut on April 23, 1961, at Carnegie Hall, would (rightfully) bring the legendary icon back into the spotlight. Live would go on to win five Grammys, be Garland's bestselling record, and confirm that, yes, on certain levels, she still had it. Her vocals are as strong as ever on these tunes, and Garland has fun with an audience obviously enraptured by her charms. She's self-deprecating where necessary–on "You Go to My Head" she "forgets" the lyrics but pretends to improvise. Mostly she just shines, especially on tunes she made famous, such as "Come Rain or Come Shine," "Stormy Weather," and "Over the Rainbow." This is easily one of pop music's greatest live recordings and a fine testament to Garland's recorded legacy. This two-CD set has been remastered for EMI's 40th-anniversary reissue to coincide with the ABC film based on daughter Lorna Luft's memoir Me and My Shadows.

The best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well).

In the Spirit: A Christmas Album is everything a Michael McDonald fan could want from a holiday album by one of the greatest blue-eyed soul vocalists of all time. It's firmly within the tradition of latter-day Doobies records and early McDonald solo efforts, resulting in a really pleasing sound, equal parts classic soft rock and classy pop-soul, but there are some differences that give it its own character. First of all, there is a reason why the album is released on MCA Nashville, and there are some hints of contemporary country on songs like "On This Night" and in the arrangement of "Angels We Have Heard on High."

Very rivals Behaviour as Pet Shop Boys' best album, so it's appropriate that the "further listening" bonus disc on Very's installment in the 2001 expanded-edition series rivals the further listening disc for Behaviour, and perhaps even surpasses it. Like that disc, this collection doesn't rely on remixes for bonus tracks and those that do make it are quite good (a previously unreleased 12" mix of "Go West" and the hacienda version of "Violence"). The rest of the record consists of B-sides and non-LP singles (including "Absolutely Fabulous"), none of which have been collected on a disc before since they all date from an era that the double-disc set Alternative didn't cover. The great thing about this is that nearly all of the material could have fit comfortably on Very and it plays as a very infectious, absorbing listen on its own.