The 19th-century reclamation of Bach’s music, spearhead by Mendelssohn and then Schumann, was later to be further developed most famously by Ferruccio Busoni. However, another key figure was composer and organist Joseph Rheinberger, whose arrangement for two pianos of the Goldberg Variations was made in the spring of 1883. Noting that the work had been ‘the object more of theoretical appreciation than musical performance’ Rheinberger sought to clarify its imitative polyphony and where he felt it necessary, added new parts of his own writing to the original score, to create a viable Bach-Rheinberger composition.
David Fray adds a landmark of the solo keyboard repertoire to his Bach discography: the Goldberg Variations. “The Goldberg Variations are a real test,” he says. “They are the work of a lifetime, perhaps a work about life itself… a kind of rite of passage, a journey. Every element of human life is in them … When you play the theme again after the 30 variations, in its original purity, it is as if you're at the end of your life, looking back over everything that has happened in the last hour-and-a-half. Few works give such a sense of eternity”.
"..aufregend sprengt der 23 Jahre alte Martin Stadtfeld die Hörerwartungen…durch registerartige Oktavierungen, fast schmerzhafte Kontraste von Dynamik und Tempi, Esoterik und Brillanz. Im packenden artistischen Manierismus erinnert Stadtfeld an Glenn Gould "(FAZ).
"Genialist ohne Maß. In Martin Stadtfeld hat Deutschland den neuen Bach-Superstar." (Die Welt)
For close to 300 years Bach’s Goldberg Variations have awed performers as well as listeners, through an unparalleled combination of a dazzling variety of expression and breath-taking virtuosity with stupendous polyphonic mastery. No wonder then that other musicians than harpsichordists have wanted to make it their own – pianists, first and foremost, but also accordion players and guitarists, flautists and harpists. Having performed and recorded much of the classical as well as the modern string trio repertoire, Trio Zimmermann began working on the Goldberg Variations several years ago, playing an existing arrangement. But in their own words, the three members – among the leading string players of our time – ‘soon became captivated by the original score and its innumerable beauties and details’. As a result they have jointly prepared a performing version which here receives its first recording. Playing an important part on this album are also the Trio’s instruments – all by Antonio Stradivarius, and featured in close-up on the cover.
While one might reasonably prefer this, that or the other recording of Bach's "Goldberg" Variations, one should still take the time to listen to this 1997 recording of the work played on the harpsichord by Masaaki Suzuki on BIS. For one thing, Suzuki is the conductor of BIS' series of Bach Cantata recordings and it is interesting to hear what he can do on his own without other musicians as intermediaries.