Features some cool and dirtiest dance tracks originated from Dutch as the album says. Featured artists are Firebeatz, Elsandro, Funkerman and many more. Their are total 100 tracks full with energy.
Forever on My Mind, the new album of previously unreleased Son House recordings from Easy Eye Sound, the independent label operated by Dan Auerbach of The Black Keys, is the premiere release from Waterman’s personal cache of ’60s recordings by some of the titans of Delta blues. His collection of quarter-inch tapes — which are being restored to remarkable clarity by Easy Eye Sound — have gone unreleased until now.
Early 2015, an idea to marry the world’s most iconic classical music event with Britain’s greatest electronic dance music icon was proposed. Eyebrows were raised and questions were asked. Could it work? Fast forward to July 2015, in the hallowed surroundings of the Royal Albert Hall, as the string section of The Heritage Orchestra played the open bars of Fatboy Slim’s ’Right Here Right Now’, any doubts were dispelled as the audience rose to their feet and a new movement in dance music was born. Breaking BBC iPlayer records and racking up 500,000 views via YouTube in the first week, the Ibiza Prom inspired a younger generation to engage with orchestral music and rekindled the passions of a rave generation.
Critically acclaimed artist The Japanese House has announced details of her long-awaited sophomore album, In the End It Always Does. Featuring recent single “Boyhood,” much of the album lives in the contradictory: beginnings and endings, obsession and mundanity, falling in love and falling apart. Four years after her widely celebrated debut, Good at Falling, this album sees Amber Bain lean even further into the pop realm whilst elevating her signature sound.
The world has changed a lot since 1992, when Don Breithaupt first collected an album's worth of his irresistibly hooky and jazzy pop songs and formed Monkey House. Since then, the talented and prolific Los Angeles-based singer, songwriter, composer, arranger, and producer has stamped the band's Kurt Vonnegut-inspired moniker on five albums of original material, including Headquarters (2012), Left (2016) and Friday (2019), the latter a blazing tour de force which topped the iTunes jazz chart and went to #11 on the Billboard Contemporary Jazz Albums chart. Now, to mark their thirtieth anniversary, Monkey House presents their most accomplished and exciting set yet, Remember The Audio, on which Breithaupt is joined by his A-List wrecking crew of Mark Kelso on drums, Pat Kilbride on bass, Justin Abedin on guitar, and guests including trumpeters Randy Brecker, Guido Basso and Michael Leonhart, guitarist Drew Zingg, and singers Lucy Woodward and David Blamires. After years of fluid lineups, Breithaupt says he had an epiphany back in 2011 while rounding up the usual suspects to make Headquarters: Hey, wouldn't it be nice if this coalesced into a steady band?