The Cars were responsible for some of rock's most recognizable radio hits by the mid-'80s, so when the band took an extended break after their successful tour for Heartbeat City, 1985's Greatest Hits was assembled. Mixed in with the familiar selections was a brand-new track, the playful "Tonight She Comes" (which became a Top Ten hit), as well as a remix of the overlooked "Shake It Up" ballad "I'm Not the One." And while most of the expected hits are represented ("Just What I Needed," "Let's Go," "Drive," "Shake It Up," etc.), some of the selections prove questionable – why was the title track from Heartbeat City (an unsuccessful single) included instead of the 1984 Top 20 hit "Hello Again"? Other missing radio staples include "You're All I've Got Tonight," "It's All I Can Do," and the title track from Candy-O, which would have made the collection definitive (all are included on the more extensive Just What I Needed: The Cars Anthology from 1995). But for the casual fan, Greatest Hits will do the trick.
The Cars' disbandment wasn’t necessarily fractious but their afterlife sure was, with the band itching to reunite while their lead voice and face, Ric Ocasek, opted out. Bassist Benjamin Orr died of pancreatic cancer in 2000, but that didn’t slow the desire for a reunion. Guitarist Elliot Easton and keyboardist Greg Hawkes took matters into their own hands in 2005, joining forces with Todd Rundgren and associates for the not-bad-at-all New Cars, and that seemed to be the end of the story until 2010, when all surviving members – Ocasek, Easton, Hawkes, and drummer David Robinson – headed into the studio with producer Jacknife Lee, who also pinch-hit on bass, to cut Move Like This, an album that defies all odds by sounding exactly like a classic Cars album.
The Cars are an American rock band that emerged from the new wave scene in the late 1970s. The band originated in Boston, Massachusetts, in 1976, with singer, rhythm guitarist, and songwriter Ric Ocasek; singer, songwriter and bassist Benjamin Orr; lead guitarist Elliot Easton; keyboardist Greg Hawkes; and drummer David Robinson…
If rock's most successful and memorable acts have usually succeeded by wrapping their own distillation of music history and personal tastes in whatever fashionable trappings are currently gripping the culture, it's hardly surprising that the Cars remain one of the most enduring symbols of the punk/new wave era. This 20-track anthology distills that argument perfectly. Ric Ocasek's songs embody a solid '60s sense of pop craftsmanship informed by a trend-conscious stylistic sheen and a cynical, slippery emotional detachment that's often betrayed by his own distinctly weary brand of romanticism, from the anxious pop of "Just What I Needed" and "You're All I've Got Tonight" to the melancholy-on-ice musings of "Drive" and "Tonight She Comes." Sixteen of the 20 cuts here were chart singles, and radio staples like "Bye Bye Love" and "Dangerous Type" might as well have been. ~ Jerry McCulley
If rock's most successful and memorable acts have usually succeeded by wrapping their own distillation of music history and personal tastes in whatever fashionable trappings are currently gripping the culture, it's hardly surprising that the Cars remain one of the most enduring symbols of the punk/new wave era. This 20-track anthology distills that argument perfectly. Ric Ocasek's songs embody a solid '60s sense of pop craftsmanship informed by a trend-conscious stylistic sheen and a cynical, slippery emotional detachment that's often betrayed by his own distinctly weary brand of romanticism, from the anxious pop of "Just What I Needed" and "You're All I've Got Tonight" to the melancholy-on-ice musings of "Drive" and "Tonight She Comes." Sixteen of the 20 cuts here were chart singles, and radio staples like "Bye Bye Love" and "Dangerous Type" might as well have been. ~ Jerry McCulley
If rock's most successful and memorable acts have usually succeeded by wrapping their own distillation of music history and personal tastes in whatever fashionable trappings are currently gripping the culture, it's hardly surprising that the Cars remain one of the most enduring symbols of the punk/new wave era. This 20-track anthology distills that argument perfectly. Ric Ocasek's songs embody a solid '60s sense of pop craftsmanship informed by a trend-conscious stylistic sheen and a cynical, slippery emotional detachment that's often betrayed by his own distinctly weary brand of romanticism, from the anxious pop of "Just What I Needed" and "You're All I've Got Tonight" to the melancholy-on-ice musings of "Drive" and "Tonight She Comes." Sixteen of the 20 cuts here were chart singles, and radio staples like "Bye Bye Love" and "Dangerous Type" might as well have been. ~ Jerry McCulley