Four-CD, 64-song collection drawn principally from Doc's Vanguard releases of the 1960s and early 1970s (tapped his solo LPs and performances at the 1963 and 1964 Newport Folk Festival). This was Doc's best period recording-wise, and certainly you couldn't hope for a better document of his virtuosity, as the guitarist covers all manner of American folk and blues styles over the course of the set. It's too much, however, for listeners who aren't big fans; Vanguard's Essential Doc Watson is a more economical survey. If you are a big fan, though, you'll be especially interested in the 16 previously unreleased performances. Comprising the whole of disc four, these are mostly taken from live duets with Merle Travis or Doc's son, Merle Watson.
The Blues originated in African-American communities of, primarily, the "Deep South" of the United States towards the end of the 19th century. This collection compiles 16 complete blues LPs, all of them classics, which serve as an easy introduction to the genre. Most of them were recorded between the mid-1950s and the early 1960s, when recording techniques had advanced significantly with respect to previous years. Represented here are some of the best figures of the blues world, heard on some of the finest LPs of the genre.
In the latter half of the 20th century there were three pre-eminently influential folk/country guitar players: Merle Travis, Chet Atkins, and Arthel "Doc" Watson, a flat-picking genius from Deep Gap, North Carolina. Unlike the other two, Watson was in middle age before gaining any attention. After 1960, though, when Watson was recorded with his family and friends in Folkways' Old Time Music at Clarence Ashley's, people remained in awe of this gentle blind man who sang and picked with a pure and emotional authenticity.
This 52-disc (no, that is not a typo) comp, ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities, may just indeed live up to its name. There are 98 artists represented , performing 1,040 tracks. The music begins at the beginning (though the set is not sequenced chronologically) with Charlie Patton, Son House, and Robert Johnson, and moves all the way through the vintage Chicago years of Muddy Waters and Howlin' Wolf, with stops along the way in Texas, Louisiana, Florida, Georgia, Mississippi, Tennessee, New York, and all points in between. Certainly, some of these artists are considered more rhythm & blues than purely blues artists: the inclusion of music by Johnny Otis, Wynonie Harris, Bo Diddley, and others makes that clear.