H.i.p.

This disc of orchestral works does in many ways display the more than slight tension between Dessau's commitment to social realism and his avant-garde inclinations - a tension between conformity and defiance to the highly politicized art of Eastern Germany (conformity through the choice of themes, defiance in terms of musical voice); "Meer der Stürme", for instance, strongly suggests that Dessau sought an excuse in purported pictorialism for deploying radical compositional techniques…..

G.D @ amazon.com

I wouldn’t have thought the world was anxiously waiting for a historically informed performance of Rimsky-Korsakov’s Scheherazade . Written in 1888 and a masterpiece of orchestration, it would seem that this was one work that really cries out for the full resources of a modern symphony orchestra. So I was surprised when I saw a listing for this new recording with the Bruges-based period-instrument ensemble, Anima Eterna. Despite all the heat generated in some quarters, I remain fairly neutral regarding H.I.P., seeing it neither as the salvation of music from 20th-century excesses nor as the death of music through formalism. At their best, H.I.P. performances throw a different light on the overly familiar.

Sarah Vaughan - The Complete Roulette Sarah Vaughan Studio Sessions (2002) [8CD BoxSet] {Mosaic 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.29 Gb | MP3 @320 -> 1.35 Gb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 2002 Mosaic Records / EMI-Capitol | MD8-214 | 24-bit remaster
Jazz / Vocal Jazz

Sarah Vaughan recorded frequently during her three years with Roulette, and all 16 albums she completed for them plus five previously unissued tracks are included in this comprehensive eight-CD boxed set from Mosaic. The gifted singer is heard in a variety of settings, from superb small-group sessions to big-band settings and various dates bordering on easy listening; the sessions omitting the often syrupy string sections are the cream of this bumper crop.

Carl Philipp Emanuel Bach, the  most famous son of the great Johann Sebastian, created his own individual style, in which freedom of expression was the keyword. This substantial collection of keyboard works, ‘Für Kenner und Liebhaber’ (for connoisseur and amateur) contains some of his most audacious compositions, in which frequent and abrupt mood changes, improvisatory and declamatory passages without bar lines and wildly digressing modulations are the stylistic landmarks.

Carl Philipp Emanuel Bach was widely known for his passionate, incomparable improvisations on the clavichord, most characteristically in the form of free fantasia. His compositions were unique in style, full of contrasts, and universally admired by several generations; the Vienna Classicists, even Beethoven and Schubert, considered him their musical father.