An overview of Teddy Bunn's recording activities during the 1930s reveals a skilled guitarist working shoulder to shoulder with many of the top jazz musicians of his generation, invariably bringing out the best in every participant, for as he himself frankly explained: "I have a very good ear and can usually sense what the cats are going to play a split second before they do it." Born in Freeport, Long Island, in 1909, Theodore Leroy "Teddy" Bunn grew up in a multi-instrumental family and gained his first professional experience accompanying a calypso singer. Bunn's recording debut took place on September 16, 1929. On that day he made records with Walter "Fats" Pichon and Henry "Red" Allen as well as Duke Ellington's Cotton Club Orchestra…
To all but the hardcore followers of Algerian music, the names of the performers on this double-CD set will mean nothing. But to those who love (or want to discover) the roots of modern Algerian music, these 30 tracks, culled from the vaults of Algerian radio, are a treasure trove. From the sha'bi (or chaabi) style, the people's music with its accessible sound and sweeping lyrics, and frequent guitar accompaniment, or the roots of the better-known rai, the hawz, or the folk Kabyle style, which was revitalized after the Second World War (well-represented here by Slimane Azem, this covers a very wide and gratifying range). Probably the only familiar track here is the stirring "Ya Rayah," which was covered in the mid-'90s by Rachid Taha, although in its own way, the original rocks very hard. But never mind the unfamiliarity; this is all remarkable stuff indeed, performed with a rare fire and grace.