Harold Davis

Beginner’s JavaScript Programming 2004 teaches the basics of programming using JavaScript. JavaScript, a modern programming language, can be written using any text editor and displayed in almost any web browser, regardless of the operating system. In the process, presenter Harold Davis discusses modern computer programming principles and explains concepts such as object oriented programming in an easy-to-understand manner.

Following the surprising commercial success of "Compared to What" in 1969, pianist Les McCann never managed to get another hit as hard as he tried. These two sessions originally released for Atlantic found McCann struggling with that goal instead of concentrating on his talent as a jazz musician. Unfortunately, the lackluster material found McCann merely falling back on the most predictable aspects of mid-'70s soul and R&B. McCann sings on a majority of the tracks, while the synthesizer noodling and string arrangements have not dated well. Only the Peter Allen/Carole Bayer Sager-penned "Will We Ever Find Our Fathers," featuring Herbie Hancock on piano, is of note.

Miles Davis - Directions (1997) {2CD Set, Sony Music Japan, Master Sound SRCS 9310~11 rec 1960-1970}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 656 Mb | MP3 @320 -> 219 Mb
Full Artwork @ 600 dpi (png) -> 38 Mb | 5% repair rar
© 1960-70, 1997 Sony Music Japan | SRCS 9310~11 | Master Sound SBM
Jazz / Hard Bop / Post Bop / Fusion / Trumpet

This double album of leftover items not previously issued features Davis over a ten-year period. "Song of Our Country" is from the sessions that led to Sketches of Spain and there is a "new" version of "'Round Midnight" from 1961 along with "So Near, So Far" dating from 1963. Otherwise the remainder of this two-fer is from the transitional 1967-70 period when Davis was experimenting with combining jazz and rock. Some of the selections ramble on a bit too long but the music is mostly quite fascinating, featuring such players as Wayne Shorter, Herbie Hancock, Joe Zawinul, Chick Corea and John McLaughlin. It's most highly recommended to collectors with an open ear toward fusion.

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches – the likes of which fill Davis' boldest and most controversial – undertaking.