The latest ECM album to feature pianist Ethan Iverson – following last year’s duo recording with saxophonist Mark Turner, Temporary Kings, and two lauded discs with the Billy Hart Quartet – presents the Brooklyn-based artist at the head of his own quartet in a program of standards and blues, recorded live at Manhattan’s famed Village Vanguard. Iverson’s quartet for Common Practice features as its prime melodic voice the veteran Tom Harrell, who was voted Trumpeter of the Year in 2018 by the U.S. Jazz Journalists Association.
Apparently a staple in Russia, the music of Taneyev exists on the fringes of the repertoire in the West, something that should be rectified–and will be if this superb CD made by a starry cast of performers gets the attention it deserves. He’s a Romantic composer, but hardly of the heart-on-sleeve variety, since he was a master of counterpoint and firmly encased his Romantic impulses in a well-fitted classical jacket. Sometimes he makes you think of a more modern, pungent Brahms with a Russian accent.
It has been quite a journey for Tom Harrell after commencing his professional career playing trumpet in Stan Kenton's band in 1969. He recorded his first album as a leader in 1976 and currently has 30 albums under his belt including "Moving Picture." It has been written that Tom has participated in 260 recordings but they may include arranging as well which is another (sometimes overlooked) facet of his prodigious talent. Since signing with HighNote Records in 2007 Tom has been working primarily with a quintet but kept things fresh with a quartet recording,"Trip," a two-bass sextet on "Colors Of A Dream" and the critically acclaimed "First Impresssions" which featured a nearly classical chamber ensemble playing the music of Debussy and Ravel. With "Moving Picture" Tom leads a quartet where he is the only horn, giving his legions of fans the pleasure of hearing more of his solo work backed by this venerable jazz format.
Ray Still, principal oboist of the Chicago Symphony Orchestra for forty years, was praised by the Chicago Tribune for his “distinctively rich, mellow, singing tone”. He joins Perlman, Pinchas Zukerman and Lynn Harrell in this programme of oboe quartets, with Mozart as the centrepiece.
French modern composer Henri. Henri Dutilleux (1916-2013), born in Angers, Maine-et-Loire, France, was active in the second half of the twentieth century. The work combines the styles of Ravel, Debussy and Albert Roussel, as well as the style of his own creation. In addition to being influenced by Impressionist music, he also used serialism and atonality to write.