Four masters of the trumpet, two generations apart, get together for an inspired session to pay homage to Dizzy, Miles, Satchmo, Clifford Brown, Chet Baker, Lee Morgan, Kenny Dorham, Booker Little, and Fats Navarro. All four play together on the opening "So What" and the closer, Gillespie's "That's Earl Brother"; ~ AllMusic
Four masters of the trumpet, two generations apart, get together for an inspired session to pay homage to Dizzy, Miles, Satchmo, Clifford Brown, Chet Baker, Lee Morgan, Kenny Dorham, Booker Little, and Fats Navarro. All four play together on the opening "So What" and the closer, Gillespie's "That's Earl Brother"; they split off in different groupings on the other tracks. With Mulgrew Miller on piano, Peter Washington on bass, and Carl Allen on drums, the rhythm section is well in the pocket, and while none of the tunes are copies of their more famous namesakes (no chorus quoting here), the spirit is dead on the money on every track, making for some exciting jazz very well played. Highlights include "Jordu," "Nostalgia," "My Funny Valentine," "The Sidewinder," and "There's No You." An inspired and accessible session.
Itzhak Perlman, born in 1945, is the supreme violinist of his time. Warner Classics salutes him in his 70th birthday year with Itzhak Perlman: The Complete Warner Recordings, 59 albums on 77 CDs. Presenting his art in all its warmth, generosity and brilliance, this comprehensive edition unites the recordings Perlman made for both EMI and Teldec over a total period of more than 30 years. Available as a magnificent deluxe box set, or as 59 separate releases, Itzhak Perlman: The Complete Warner Recordings embraces every aspect of Perlman s art.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
Other than an album for the Italian Red label the previous March, this CD from the defunct Black-Hawk label was the first to feature trumpeter Tom Harrell with the Phil Woods Quintet. At this point in time, bassist Steve Gilmore and drummer Bill Goodwin had been with the band since its beginning 12 years before, while pianist Hal Galper was a five-year veteran. The repertoire on the set is quite strong, with a pair of less-played Duke Ellington pieces (the beautiful "Heaven" and "Azure") being performed along with Dave Brubeck's "The Duke," Sam Rivers' "222," the standard "I'm Getting Sentimental Over You" and Harrell's "Occurrence." Phil Woods sounds quite inspired throughout the date by Harrell's presence, giving him another horn to work off of.