Oliver Hartmann is a German metal vocalist, guitarist, songwriter, and producer who performed in various acts, either as guitarist, solo or choir singer. He is best known for his role as vocalist and one of the founders of the band At Vance, his own band Hartmann and his guest appearances on albums of several prominent metal bands, including Freedom Call, Edguy, Rhapsody, Genius rock opera, Iron Mask, Aina's metal opera Days of Rising Doom and the metal opera Avantasia where he participated as a vocalist in 4 albums and also as a guitarist of the live and studio line up. He is also guitarist and vocalist with the Pink-Floyd tribute band Echoes.
Botstein clearly feels great conviction for this music and this comes across both in performance and in the booklet text, part of which he contributed. These are eloquent performances directed by a man who clearly sees Hartmann as a natural partner to Shostakovich.
Violinist and director Johann Ernst Hartmann is mainly known to posterity for his Danish Singspiel though he actually wrote far more instrumental music than songs. A disastrous fire in the Christianborg Palace in 1794 destroyed a large number of his manuscripts so it’s uncertain quite how many symphonies and other concerted music he did write – only one Symphony ever made it to publication, the First, which was published by Hummel in Amsterdam in 1770.
The first commercial gramophone recording of a German symphony after World War II was that of Karl Amadeus Hartmann's Foutrh Symphony for string orchestra under the derection of Franz André. More than fourty years later, this work once agains opens a complete studio recording of Hartmann's symphonie, now under Ingo Metzmacher.