Hawks Doves

Following the triumph of Rust Never Sleeps, Hawks & Doves benefited from the enormous critical goodwill Neil Young had amassed, though fans and critics nevertheless were baffled by its set of obscure acoustic and country-tinged songs.

This box set continues the chronological re-releasing of Neil Young’s Official Releases, remastered where analog tapes exist. Volume 4, released as a 4 LP box and 4 CD box. The ORS Vol 4 collects an eclectic set of decade-spanning sounds. Hawks & Doves (1980) revisits his folk roots and explores some of his most country-leaning offerings; the blistering Re•ac•tor (1981) showcases a stomping set of heavy, overdriven rock with Crazy Horse; and This Note’s for You (1988) casts Young as a big band leader, belting out intricately arranged blues. The Eldorado EP (1989), a 5 track mini-album, previously only released on CD in Australia and Japan, is full of feral distortion and earthy crunch featuring Young backed by The Restless (Chad Cromwell and Rick Rosas). It includes two thundering tracks — “Cocaine Eyes” and “Heavy Love”— not available on any other album, along with different versions of 3 tracks that appeared on Freedom later the same year.

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

Lalo Schifrin - There's A Whole Lalo Schifrin Goin' On (1968) {Dot Records–Universal 5342938 rel 2013}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 228 Mb | MP3 @320 -> 93 Mb
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© 1968, 2013 Dot Records / EmArcy / Universal | 534 293 8
Jazz / Third Stream / Piano / Modern Post Bebop / Stage & Screen / Modern Arrangement

Though it may seem unlikely that Frank Zappa had much of an influence on the work of Lalo Schifrin, one can detect some cultural crossover on There's a Whole Lalo Schifrin Goin' On. Schifrin was as much a jazz-pop genius as ever, but on this album rock rhythms, musical satire, sound effects, and exotica are all used as camp in a way that is eerily reminiscent of Zappa's more thoughtful efforts. Schifrin being Schifrin, every cut has a distinct and catchy melody, but there are whimsical and satirical themes embedded in the music. Nowhere is this more obvious than in "Hawks Vs. Doves," in which a cheery carnival-like theme is played in counterpoint to a martial air, each interfering with the other.