As with all histories, context and an appreciation for the times are essential. In 1958, when the earliest of these recordings were made there were probably no more than a handful of reissues of pre-war country blues 78s available on record in the United States. The long-playing 33 1/3 record was, itself, only a recent invention. Today, with hundreds, perhaps thousands, of pre-war blues and hillbilly reissues available and in print, when it’s possible to walk into any halfway decent record store (to the extent record stores, halfway decent or otherwise, still exist) and find the complete recordings of Charley Patton or Blind Willie Johnson, it may be difficult to comprehend just how obscure and how otherworldly this music once was. — Glenn Jones, from the Introduction toYour Past Comes Back to Haunt You.
Zac Harmon has been expressing an unbiased love for music for well over twenty years. Born and raised in Jackson, Mississippi, he is a disciple of the Farish Street blues sound. Farish Street is universally recognized as the home of many great blues legends, including the late, great Elmore James.Harmon's early years included stints as a guitarist for Z.Z. Hill, McKinley Mitchell, Dorothy Moore and Sam Myers. Moving to Los Angeles in 1980, he worked as a studio musician and began to make a name for himself as a writer/producer….
Bob Brookmeyer pioneered playing jazz on the valve trombone, and employed an open-ended approach that embraced both cool and chamber jazz elements. This CD combines two of his finest early period albums from 1960 and 1961, playing standards and originals alongside a stock backup piano/bass/drums trio with Jimmy Rowles, and interpreting the music of Alec Wilder in tandem with guitarist Jim Hall. For the latter date, Brookmeyer goes back and forth between trombone and piano, with drummer Mel Lewis on both sessions.
For many of them, such as Charley Jackson from New Orleans, Arvella Gray from Texas, Maxwell Street was a landing place for the many musicians who migrated from the South to Chicago, bringing with them their music and songs and making them part of the Chicago blues landscape……..
Even if comparisons with Lennie Tristano, Al Haig and Bud Powell are inevitable, Dodo Marmarosa's music has a surrealistic imprint essentially unlike that of any other pianist in or out of bop. In honor of this cardinal truth, the Lone Hill Jazz label has come forward with the Complete Studio Recordings of the Dodo Marmarosa Trio (including alternate takes), bringing together three different West Coast sessions from 1946 and 1947, four selections waxed in his home town of Pittsburgh in 1950, and an entire second disc's worth of mature Marmarosa material recorded in Chicago in 1961 and 1962.
With the Compact Jazz series offering plenty of fine single-artist starter discs, there should be no hesitation in picking up this multi-artist overview for that jazz neophyte friend. As usual, the price is right and the selection generous. Covering the '50s, '60s, and '70s, the disc includes both vocal and instrumental tracks from the likes of Sarah Vaughan, Bill Evans, Dinah Washington, Erroll Garner, Stan Getz, Ella Fitzgerald, and Billie Holiday.
Louis Armstrong was one of the most influential figures in the jazz scene. As a trumpeter, singer and composer he recorded some of the most famous songs the world would ever hear. Career spanning collection featuring early recording "West End Blues", hits "Blueberry Hill", "La Cucaracha" and duets with Billie Holliday, Ella Fitzgerald and many more famous songs.