Hyperion

Franz Xaver Scharwenka - Piano Music Vol.1 - Seta Tanyel (2002) {Hyperion-Helios CDH55131 rec 1991}
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© 1991, 2002 Collins Classics / Hyperion Records / Helios | CDH55131
Classical / Romantic / Early 20th Century / Piano

'The recorded sound has all the freshness needed for this music' (Pianist). 'Seta Tanyel plays her well-contrasted selection with obvious affection and persuasive charm … playing of outstanding drive and verve' (International Record Review). Hyperion's series of the solo piano music of Xaver Scharwenka (reissued from Collins), played by Seta Tanyel, is worth getting to know for everyone who appreciates romantic piano music. It reveals Scharwenka as a deft craftsman with plenty of good ideas and deep knowledge of how to utilize the potential of his instrument to full effect. Volume 1, however, is far from the strongest installment in the series, and if you started with this one, were disappointed and decided to stop investigating, I encourage you to reconsider - volume 2, for instance, is definitely superior (though Scharwenka's concertos and chamber works are superior still).

Franz Xaver Scharwenka - Piano Music Vol.2 - Seta Tanyel (2002) {Hyperion-Helios CDH55132 rec 1992}
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© 1992, 2002 Collins Classics / Hyperion Records / Helios | CDH55132
Classical / Romantic / Early 20th Century / Piano

'Scharwenka could not have been better served. He deserves no less' (International Record Review). 'The recorded sound has all the freshness needed for this music' (Pianist). Many young pianists of my generation cut their teeth on one or another of Xaver Scharwenka's Polish Dances; he composed about thirty of them. The Op. 3, No. 1 was immensely popular, selling millions of copies and that's the one I learned to play when I was about ten or so. On this release are the two Polish Dances, Op. 29, and they are mazurkas in all but name. They are lively and set your toe tapping as played by Seta Tanyel.

Guillaume Dufay (c1400-1474) - Music for the Court of Savoy - The Binchois Consort, Andrew Kirkman (2009) {Hyperion CDA67715}
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© 2009 Hyperion Records | CDA67715
Classical / Medieval / Renaissance / Early Music / Choral / Polyphony

The Binchois Consort’s first recordings of Dufay for Hyperion achieved iconic status, winning a Gramophone award along the way. Despite the proliferation of early music groups recording Dufay in their wake, the Binchois remain the ultimate musical authority on this great composer. Their latest recording contains what many consider to be Dufay’s masterpiece. His Missa Se la face ay pale is one of the best known, and perhaps most revered, of all polyphonic masses. Indeed, it is a work of such renown that it enjoys a special kind of status among Renaissance mass cycles.

Sebastián de Vivanco - Missa Assumpsit Jesus & motets - De Profundis, Robert Hollingworth (2018) {Hyperion CDA68257}
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© 2018 Hyperion Records | CDA68257
Classical / Renaissance / Choral / Missa / Motet

The music of Spanish Renaissance composer Sebastián de Vivanco has rarely been recorded, although he was apparently well-enough regarded in his own time; several volumes of his work, containing all the music heard here, were issued in the first decade of the 17th century. His neglect may be due to the fact that he doesn't quite fit the dominant historical narrative, which prizes the Spanish inflection of Palestrina's Counter Reformation clarity in the dark, transparent motets of Tomás Luís de Victoria and Alonso Lobo.

Arvo Pärt - Triodion and Other Choral Works - Polyphony & Stephen Layton (2003) {Hyperion SACD Hybrid SACDA67375}
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© 2003 Hyperion | SACD Hybrid | SACDA67375
Classical / Contemporary Classical / Choral

A new release from Polyphony, with Stephen Layton at the helm, always brings with it an assurance of singing of the highest possible calibre. Bring together a choir of such quality and the composer responsible for some of the most beautiful, transcendent music ever written, and the resultant disc is surely what must be one of, if not the most spectacular releases of the year. New works from Arvo Pärt are invariably cherished, and this disc contains no fewer than five world premiere recordings—Dopo la vittoria, Nunc dimittis, Littlemore Tractus, My heart's in the Highlands and Salve regina. It was recorded in the presence of the enraptured composer earlier this year at the Temple Church, London. This is a disc of achingly lovely music at its most mesmeric—prepare to be stunned.

Utilizing analog and digital hardware in their second release on Exosphere, Transponder (Steve Pierce & Don Tyler) explore the mystery of the Terminus Worlds, and their link to a new age of interstellar travel with the Hyperion Gate.

William Byrd - The Complete Keyboard Music - Davitt Moroney (1999) {7CD Set, Hyperion CDA66551/7}
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© 1999 Hyperion Records | CDA66551/7
Classical / Renaissance / Period Instruments

The Gramophone Award-winning artist, Davitt Moroney has spent more than fifteen years planning this momentous project and Hyperion are proud to be able to bring Davitt’s wealth of expertise and musicianship to the label. As an authentic complete survey of this music, six different instruments have been used for the recording – two different harpsichords, muselar virginal, clavichord, chamber organ, and the Ahrend organ at L’Église-Musée des Augustins, Toulouse, France (where the huge and high nave creates an echo that lasts for nearly fifteen seconds, not unlike the acoustic at Lincoln Cathedral where Byrd was the organist and master of the choristers).