i Bom

Bom Dia is the 2007 CD by The Roger Davidson Trio. This came out on Soundbrush.

Malana, a remote village in the Himalayas, isolated from outside civilization for thousands of years has been fostering a primitive existence in harmony with nature and a unique model of democracy of consensus. They have also been producing some of the best quality hashish in the world. A real life story of transition, this ancient civilization being invaded and obliterated by the modern democracy. Narrated in an epic structure, a visual essay from the edge of the world with a message of trust, peace and eternal unity.

Italian piano genius Stefano Bollani's new Brazilian album QUE BOM building on the success of his successful album CARIOCA (2008), which sold over 70'000 copies. QUE BOM primarily consists of Bollani's own original tunes and distinctive melodies strongly influenced and informed by Brazilian music culture, which Bollani has always cherished since the very beginning of his rich, multifaceted crackerjack music making and dexterous playing. In QUE BOM - a genuine hymn to life marked by sparkling liveliness and (contagious) joy - Bollani is joined by the same outstanding rhythm section as in CARIOCA - Jorge Helder (db), Jurim Moreira (dr) and Armando Marçal (perc) - plus Thiago da Serrinha (perc), but here, in QUE BOM, also by the grand guest stars Caetano Veloso, João Bosco, Jaques Morelenbaum and Hamilton de Holanda.

Jobim himself described Adnet's voice as "deep, rich and mysterious" not just because of the alliteration. Adnet's beautiful instrument gets the perfect setting from these musicians and arrangements: not only is the estimable Trio da Paz on this recording (Romero Lubambo, Nilson Matta, Duduka Da Fonseca), but there are wonderful performances from trombonist Jay Ashby, flugellers Claudio Roditi and Randy Brecker, and pianist Hugo Fattoruso, whose spare, lyrical style evokes The Man himself. Songs I Learned From Jobim contains a full range of moods, fine musicianship and excellent material. It's also a must-hear for Jobim completists, since it offers such unexpected and delightful insights into his musical self.

El “Bim Bom” colinda con el malecón habanero y se ha convertido en una suerte de vitrina de pingueros, travestis y jineteras que ofrecen servicios sexuales a extranjeros. Posee un glamour trasnochado y decadente como los cabarets de mala muerte, un aire cosmopolita que huele a cerveza, sudor y a mar.