Iamthemorning Ocean Sounds (2018)

Ocean Sounds (2018) is an intimate studio film from acclaimed Russian duo iamthemorning (Gleb Kolyadin and Marjana Semkina).

Ocean Sounds is an intimate studio film from acclaimed Russian duo iamthemorning (Gleb Kolyadin and Marjana Semkina). Shot at and named after a remote recording studio on a Norwegian island, the footage offers a behind-the-scenes insight into the recording techniques of two of modern progressive music's most talented composers. The content captures iamthemorning's live set-up from the last three years, with the setlist consisting of songs from their first three studio albums and an unplugged recording of Blue Sea (the first track to be written for the duo's upcoming fourth album and exclusive to the blu-ray). The studio was designed with panoramic windows that allow the stunning back-drop of Giske Island and the Norwegian Sea to be integrated into the performances (a location that is featured in glorious high-definition on blu-ray).

The new intimate studio film from the highly praised Russian duo recorded on a remote Norwegian island. Following the success of two highly-praised albums on Kscope, Belighted and Lighthouse, Russian duo Gleb Kolyadin and Marjana Semkina are releasing a new studio film shot at and named after a remote recording studio on Giske, a Norwegian island. The footage offers a behind-the-scenes insight into the recording techniques of two of modern progressive music’s most talented composers. The content captures Iamthemorning’s live set-up from the last three years, with the setlist consisting of songs from their first three studio albums and an unplugged recording of “Blue Sea”, the first track to be written for their upcoming fourth album and exclusive to this Blu-ray disc.

The Bell was inspired by 19th century song cycles, a genre established by Schubert, and themes from Victorian England art and culture. It is divided into two parts, but each song is a story in its own right, all of them are fuelled by human cruelty and pain caused by it. Cruelty and different ways that we cope with it and suffer from it is the central theme of the album. This album is multi-layered and is, in many ways, a journey inwards, taking us inside of a mind of a person suffering from abuse or neglect or open hostility of the society or a specific person. And even though aesthetically the album is based on themes taken from Victorian England’s art and culture, it is mainly a way to look at ourselves and modern society and realise that at its core, humankind isn’t making much progress in terms of emotional maturity.