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The Orb virtually invented the electronic genre known as ambient house, resurrecting slower, more soulful rhythms and providing a soundtrack for early-morning ravers once the clubs closed their doors. Frontman Dr. Alex Paterson's formula was quite simple: he slowed down the rhythms of classic Chicago house and added synth work and effects inspired by '70s ambient pioneers Brian Eno and Tangerine Dream. To make the whole a bit more listenable - as opposed to danceable - obscure vocal samples were looped, usually providing a theme for tracks that lacked singing. The group popularized the genre by appearing on the British chart show Top of the Pops and hitting number one in the U.K. with the 1992 album U.F.Orb…
The project of experimental musician Daniel Lopatin, Oneohtrix Point Never explores how history, memory, and music intersect in retro synth reveries and more complex works. The flowing electronics of OPN's early albums - which were gathered in the acclaimed 2009 collection Rifts - suggested Lopatin was an heir to Tangerine Dream. However, he soon revealed other layers to his music with a string of releases that reflected his interest in high art as well as pop-culture artifacts including video games, science fiction, anime, and advertising (which Lopatin sampled cleverly on 2011's Replica). After signing to Warp Records, Oneohtrix Point Never only grew more adventurous with albums like 2015's Garden of Delete, an improbable yet moving fusion of metal, trance, R&B, and Top 40 pop. During this time, Lopatin also became an award-winning film composer…