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Elvis Presley - 24 Karat Hits! (1997) [DCC, GZS-1117]  Music

Posted by v3122 at Nov. 22, 2017
Elvis Presley - 24 Karat Hits! (1997) [DCC, GZS-1117]

Elvis Presley - 24 Karat Hits! (1997)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
DCC, GZS-1117 | ~ 344 or 149 Mb | Scans(jpg) -> 73 Mb
Pop, Rock, Rock'n'Roll, Blues

Had Elvis Presley done nothing else but record "That's Alright, Mama," his place in pop music history would be secure. With his first regional hit, Presley fused rhythm and blues with country, put a handsome white face out front for audiences to see, and in so doing legitimized beat music for white audiences. It is no understatement to call Presley the chief catalyst of the rock-and-roll era…
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Ringo Starr - Ringo (1973) [DCC GZS-1066] Repost  Music

Posted by v3122 at Nov. 24, 2018
Ringo Starr - Ringo (1973) [DCC GZS-1066] Repost

Ringo Starr - Ringo (1973)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1994 | DCC GZS-1066 | ~ 294 or 110 Mb | Artwork(jpg) -> 11 Mb
Rock / Pop Rock / Classic Rock

With Ringo, Ringo Starr finally put his solo career in gear in 1973, after serving notice with back-to-back Top Ten singles in 1971 and 1972 that he had more to offer than his eccentric first two solo albums. Ringo was a big-budget pop album produced by Richard Perry and featuring Ringo's former Beatles bandmates as songwriters, singers, and instrumentalists…
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The Doors - Waiting For The Sun [DCC Gold GZS-1045] Mastered by Steve Hoffman  Music

Posted by scottmusic at Dec. 21, 2009
The Doors - Waiting For The Sun [DCC Gold GZS-1045] Mastered by Steve Hoffman

The Doors - Waiting For The Sun
DCC GZS-1046 Audiophile CD
EAC rip with CUE + Log + m3u | FLAC (single tracks) | Scans | 212 mb incl. 5% recovery
Released 1968/1993 | Running time 35:00 | Mastered by Steve Hoffman
Hot File | Genre: Audiophile; Psychedelic Rock

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The Doors - Strange Days [DCC Gold GZS-1026] Mastered by Steve Hoffman  Music

Posted by scottmusic at Dec. 21, 2009
The Doors - Strange Days [DCC Gold GZS-1026] Mastered by Steve Hoffman

The Doors - Strange Days
DCC GZS-1026 Audiophile CD
EAC rip with CUE + Log + m3u | FLAC (single tracks) | Scans | 213 mb incl. 5% recovery
Released 1967/1992 | Running time 35:00 | Mastered by Steve Hoffman
Hot File | Genre: Audiophile; Psychedelic Rock

Strange Days is the second album released by American rock band The Doors in late September 1967. The album earned a gold record and reached No. 3 in the billboard album charts, but its producer, Paul Rothchild however, considered it a commercial failure, even if it was an artistic triumph.
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Elvis Presley - Elvis Is Back! (1960) [1997, DCC GZS-1111]  Music

Posted by v3122 at Nov. 24, 2017
Elvis Presley - Elvis Is Back! (1960) [1997, DCC GZS-1111]

Elvis Presley - Elvis Is Back! (1960)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1997 | DCC GZS-1111 | ~ 209 or 81 Mb | Scans(jpg) -> 16 Mb
Pop, Rock, Rock'n'Roll

Although they have common recording origins, two of the three singles, "It's Now or Never" and "Are You Lonesome Tonight," were very quirky by the standards of Elvis songs at the time – the former inspired by Elvis's admiration for Tony Martin's 1949 hit "There's No Tomorrow," while the latter was recorded at the request of Col. Parker as a favor to his wife. They add to the diversity of sounds on this record, which shows a mature Elvis Presley…
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Pat Benatar - In the Heat of The Night (1979) [DCC Gold GZS-1056]  Music

Posted by Sartre at June 26, 2009
Pat Benatar - In the Heat of The Night (1979) [DCC Gold GZS-1056]

Pat Benatar - In the Heat of The Night (1979) [DCC Gold GZS-1056]
Rock | Lossless WavPack ISO+Log+Cue+Covers -> 275MB | EAC Rip | Nitroflare/1Fichier

With her debut recording In the Heat of the Night, Pat Benatar wasted no time starting out of the gate with the furious leadoff track "Heartbreaker," which solidified her place in a class of women who were taking the rock world by storm in the late '70s. In the Heat of the Night was an album that obviously had its share of filler, but the one-two punch of "Heartbreaker" and the John Cougar Mellencamp tune "I Need a Lover" leading off the album made enough of a statement to put her on the pop charts. The deflated three tracks following are easily forgettable, especially the sci-fi '50s ballad "My Clone Sleeps Alone," but the remainder of the album packs enough grit and solid songwriting (especially the Blondie-esque "So Sincere") that it remains an impressive debut and foreshadows a glimpse of great things to come.
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Electric Light Orchestra - Eldorado (1974) [DCC GZS-1041]  Music

Posted by Sartre at March 17, 2013
Electric Light Orchestra - Eldorado (1974) [DCC GZS-1041]

Electric Light Orchestra - Eldorado (1974) [DCC GZS-1041]
Rock | Lossless WavPack ISO with Full Scans -> 250MB | EAC Rip with Log & Cue | Uploaded/Uptobox

This is the album where Jeff Lynne finally found the sound he'd wanted since co-founding Electric Light Orchestra three years earlier. Up to this point, most of the group's music had been self-contained – Lynne, Richard Tandy, et al., providing whatever was needed, vocally or instrumentally, even if it meant overdubbing their work layer upon layer. Lynne saw the limitations of this process, however, and opted for the presence of an orchestra – it was only 30 pieces, but the result was a much richer musical palette than the group had ever had to work with, and their most ambitious and successful record up to that time.
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Gerry Rafferty - City To City (1978) [DCC Gold GZS-1075] (REPOST)  Music

Posted by Sartre at June 14, 2014
Gerry Rafferty - City To City (1978) [DCC Gold GZS-1075] (REPOST)

Gerry Rafferty - City To City (1978) [DCC Gold GZS-1075] (REPOST)
Rock | EAC Rip | Lossless WavPack ISO with Log+Cue+Covers -> 312MB | Nitroflare/UptoBox

Gerry Rafferty is a huge talent, but a reluctant star. Management struggles and sundry other hindrances limited his output, but couldn't avert the Scot from releasing two legendary singles – the Tarantino-ized "Stuck in the Middle With You" and the unforgettable "Baker Street," the latter included on this record. Just a glimpse of John Patrick Byrne's cool cover art lets the listener know City to City houses Rafferty's day in the sun as he conquers the world one metropolis at a time, his guitar and amp in tow. Setting out in his apocalyptic "Ark," each song radiates the confidence of a master craftsman cruising in his prime, constructing brilliant pop confections with top-flight support while awaiting the crunch of civilization.
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Frank Sinatra - Sinatra '57- In Concert (1999) [DCC Compact Classics ARZ-101-2] **REPOST**  Music

Posted by flac jacket at Dec. 19, 2012
Frank Sinatra - Sinatra '57- In Concert (1999) [DCC Compact Classics ARZ-101-2] **REPOST**

Frank Sinatra - Sinatra '57- In Concert (1999) [DCC Compact Classics ARZ-101-2]
EAC Secure Rip | FLAC (Image + Cue + Log) - 348 MB | Complete Scans (Jpeg 600 dpi) - 106 MB | MP3 (CBR320 Kbps) - 156 MB
Vocal | DCC Compact Classics | ARZ-101-2 | 62:26 minutes | 5% WinRar Recovery | Hosted on: Uploaded & FilePost

This is a complete recording of a concert performed at the Seattle Civic Auditorium on June 9, 1957. It was digitally remastered and officially released from a recording made by Wally Heider and first released as a bootleg. Nelson Riddle, the arranger, conducted the orchestra at this concert. Remastered for DCC by Steve Hoffman 1999.
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Joni Mitchell - Blue (1971) [DCC GZS-1132]  Music

Posted by Sartre at March 4, 2013
Joni Mitchell - Blue (1971) [DCC GZS-1132]

Joni Mitchell - Blue (1971) [DCC GZS-1132]
Folk | Lossless WavPack ISO with Scans -> 200MB | EAC Rip with Log & Cue | Uploaded/1Fichier

Sad, spare, and beautiful, Blue is the quintessential confessional singer/songwriter album. Forthright and poetic, Joni Mitchell's songs are raw nerves, tales of love and loss (two words with relative meaning here) etched with stunning complexity; even tracks like "All I Want," "My Old Man," and "Carey" – the brightest, most hopeful moments on the record – are darkened by bittersweet moments of sorrow and loneliness. At the same time that songs like "Little Green" (about a child given up for adoption) and the title cut (a hymn to salvation supposedly penned for James Taylor) raise the stakes of confessional folk-pop to new levels of honesty and openness, Mitchell's music moves beyond the constraints of acoustic folk into more intricate and diverse territory, setting the stage for the experimentation of her later work. Unrivaled in its intensity and insight, Blue remains a watershed.
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