Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.
Incredibly the Bassoon Concerto was written when Mozart was only eighteen. By this stage in his life he had already written about thirty symphonies, a dozen string quartets and several Italian operas. The Flute Concerto is notable for the fact that Mozart did not like the flute as an instrument, famously stating 'whenever I have to write music for an instrument I dislike, I immediately lose interest'. In 1791, the last year of his life, Mozart wrote the Clarinet Concerto. Interestingly the Clarinet Concerto was not composed for a standard clarinet in A but for an instrument the court clarinettist Anton Stadler had developed which extended the instrument's lower range by four notes.
In the early 1960s, Martha Argerich was only twenty years old, but an already busy career. So full that the miracle from Argentina feels the need to take a break and recharge (rebuild) after such a whirlwind. "The young Argerich" that we invite you to find here is the one before this first silence, before her resounding victory at the Concours Chopin 1965.
Fortunately, the microphones accompanied him for a long time already. Our journey begins in 1955: shortly before flying to Vienna to follow the teaching of Friedrich Gulda, a thirteen-year-old Argerich descends the arpeggios of Etude op. 10 No.1 by Chopin with crazy insolence and aplomb. A few years later, it is with this same introduction that she will scotch the Warsaw jury.
Quelle mouche teutonne a donc piqué Emmanuel Chabrier ? En novembre 1880, à son retour d’un Tristan et Isolde à Munich, cet enragé du wagnérisme (comme ses amis Vincent d’Indy, Charles Lamoureux, Stéphane Mallarmé, etc.) démissionne de son emploi au Ministère de l’Intérieur et ne veut plus être que compositeur.
Czech quarter: two classics, a rarity and a treasure as dear to Nicolas Derny as to Georges Zeisel: the terrible Quartet "From my life" by young Vlach, LP Electrola unpublished on CD.
Champagne pour le centième opus de la collection, avec la plus viennoise des Chauve-Souris, et un plateau de friandises invitant Wunderlich, Kunz, Streich, Gedda, Köth, Jurinac ou Schwarzkopf à la fête.
Un Diapason d'or en 2001 puis une discographie comparée ont déjà chanté l'aisance, l'humour et les voluptés des solistes et du chœur de Marcus Creed dans l'ultime chef-d'œuvre de Rossini. Retrouvez ce nouveau CD de la collection Les Indispensables de Diapason avec le numéro de juin de votre magazine.