Irish flutist James Galway is a superb interpreter of the classical flute repertoire and a consummate entertainer. His silky tone and masterful technique, charismatic personality, and varied programs appeal to audiences of all ages and musical tastes.
Essential: a masterpiece of Folk music
Dolores Keane (born 26 September 1953) is an Irish folk singer and occasional actress. She was a founding member of the successful group De Dannan, and has since embarked on a very successful solo career, establishing herself as one of the most loved interpreters of Irish song.
Residing somewhere between the Clancy Brothers and the Chieftains, but more raucous in their sensibilities than either of those outfits, the Dubliners have been Irish music's most uninhibited emissaries to the world since the mid-'60s. This album lives up to its title, offering some lusty renditions of drinking songs, rebel songs, reels, and just about every other subgenre upon which this group has built its reputation across the decades.
Home is The Corrs' fifth studio album. An Irish-themed album, it includes covers of old Irish songs and traditionals, but also covers of non-Irish songs, like 'Heart Like A Wheel'. It includes 2 tracks in Irish ("Buachaill Ón Éirne" & "Bríd Óg Ní Mháille") and 3 instrumentals ("Old Hag (You Killed Me)", "Haste To The Wedding", "Return To Fingall"). "Home" is compiled through a songbook of the late Jean Corr (their mother). The album was released exactly 10 years after the release of their very first album "Forgiven, Not Forgotten" and brings the Corrs back to their roots.- From Wikipedia, the free encyclopedia
This is not such a bizarre cross-over as one might imagine for in the 18th century the great Irish musician Turlough O’Carolan, a blind harpist, met the Italian musician Geminiani in Dublin, and through him encountered the music of, yes, guess who, Antonio Vivaldi. So here we have a case of substituting Irish instruments for baroque ones, using baroque instruments to accompany Irish themes, by creating dialogues between Celtic and baroque instruments, or by letting all the musicians improvise. One moment we appear to be listening to a ‘straight’ baroque concerto, then all of a sudden the conventional string continuo/ripieno of the baroque ensemble (Le Orfanelle della Pieta) gives way to celtic musicians playing a jig or reel on anything from a Irish bouzouki to a fiddle. The baroque group consists of three each of first and second violins, one viola, two cellos, a bass and harpsichord while the Irish musicians play Irish fiddle, an Irish flute (like a baroque flute), tin and low whistles, Uileann pipes, Irish bouzouki, mandolins, bodhran, bones, and the Celtic harp (played here with metal strings to resemble its harpsichord counterpart in the other group).
Alan Stivell is a Breton musician and singer, recording artist and master of the celtic harp who from the early 1970s revived global interest in the Celtic (specifically Breton) harp and Celtic music as part of world music.
From the beginning: do any of you know Planxty? No!?…
On Night Owl, she is joined by a wealth of veteran Celtic musicians, including John Faulkner (guitar and vocals) and Eoin O'Riabhaigh (uilleann pipes and whistle). In addition to traditional Celtic instruments, Keane's haunting vocals are enriched on this breathtaking recording by the Greek bouzouki, the Olwell bamboo flute, and the cello. The results are extraordinary: lyrics that harken back to days long past find perfect realization through the use of exquisite contemporary arrangements.
~ Alula Records