Iron Maiden Japan 1st Press

The second of three straight iconic Iron Maiden albums, Piece of Mind marks the debut of what many regard as the definitive Maiden lineup, with the arrival of new drummer Nicko McBrain. McBrain's ability to duplicate the complex patterns of the guitar and bass riffs gives the band a seamless ensemble unity. Even Steve Harris, whose busy basslines were never exactly groove-oriented, has never felt more integrated into the overall sound. Perhaps part of that feeling comes from the less frantic pace; the average tempo has slowed somewhat from the preceding album, and the hold-over punk influences still present there have been completely eradicated. Instead, we get a few moodier, heavier pieces (especially "Revelations") that make the album darker-sounding overall.

State of Mind is the 1995 debut album from the British progressive rock band Psycho Motel, formed by Iron Maiden guitarist Adrian Smith. The album featured Hans-Olav Solli on vocals, formerly of Scott Gorham's 21 Guns. The album features a heavy guitar-driven sound. The album was released only in Japan in 1995 and re-released in Europe in 1996. The European release had only 10 tracks and different artwork, which featured a negative image of the Japanese version cover. The album was re-released again in 2006, with the European version of the artwork. The band was formed in 1995 by Iron Maiden guitarist Adrian Smith after he left Maiden in 1990. Smith briefly experimented with a project called ASAP (Adrian Smith and Project) before seemingly retiring from the music industry altogether in 1990. However, it was a chance meeting with Jamie Stewart, formerly bass guitarist with The Cult and Carl Dufresne that finally persuaded Smith back into the spotlight.

The debut album by the heavy metal band Killers, led by Iron Maiden's ex-vocalist - Paul Di'Anno. Coming together in 1991, Killers was one of the first metal super groups to exist. Featuring members from bands including Iron Maiden, Tank, Raven and Battlezone, they were hailed by the press as the 'Natural successor to Judas Priest'. With their album "Menace to Society" awarded Metal Hammer's best new album of 1994 and a world tour which included headlining the famous Wacken Festival in Germany, Killers represent all that is British Metal at it's very best. "Murder One", recorded in USA in the line-up: Paul Di'Anno - vocal, Steve Hopgood - drums, Cliff Evans - guitar, Gavin Cooper - bass guitar, Nick Burr - guitar, was officially released in 1992. Acclaimed by the press worldwide, the album became a classic for lovers of British metal. The album includes two cover tracks: "Children of the Revolution" ( T. Rex) and "Remember Tomorrow" (Iron Maiden).

Although Enigma Records was better known for its connection to the mid-'80s Paisley Underground scene (Rain Parade, Game Theory, etc.), the Los Angeles-based indie was also among the first to document the rebirth of glam metal, which overtook the L.A. club scene at the same time, by issuing the first album by Mötley Crüe, Poison, and others. The glam-poppy Lizzy Borden was also ran in the hair metal sweepstakes, but its debut album, 1985's Love You to Pieces, holds up better than many other documents from the era. The packaging, complete with faux-goth band logo and the requisite hot big-haired chick in lingerie, is crushingly obvious, and the entire album flirts with cliché.

The second studio album by the heavy metal band Killers, led by Iron Maiden's ex-vocalist - Paul Di'Anno. Coming together in 1991, Killers was one of the first metal super groups to exist. Featuring members from bands including Iron Maiden, Tank, Raven and Battlezone, they were hailed by the press as the 'Natural successor to Judas Priest'. With their album ""Menace to Society"" awarded Metal Hammer's best new album of 1994 and a world tour which included headlining the famous Wacken Festival in Germany, Killers represent all that is British Metal at it's very best.

After the release of the Album Killers, the vocal Paul Diano has reclaimed and the former Samsung Bruce Dickinson. And on June 29 of the year on the large-scale world tour, which was released in 1982. Concerts held in New York City are recorded and broadcast for the popular American radio music program, King Biscuit Flower Hour. This is a live album based on the sound source used during this broadcast. Not only is it a tour that started to explode America's popularity. A must have archive for fans with the band shows off their full spiritual performance.

Though Live After Death remains the strongest documentation of Iron Maiden on-stage, A Real Live One isn't a bad listen at all. Maiden was a band that always believed in giving its audience a monster of a show, and on the whole, the CD (recorded everywhere from France and Italy to Denmark and Finland) does a good job capturing the type of excitement these imaginative gothic headbangers generated on-stage. The idea behind the album is to pick up where Live After Death left off and emphasize material recorded after 1985, and the Brits do exactly that with inspired versions of such favorites as "From Here to Eternity," "The Evil That Men Do," "Bring Your Daughter…to the Slaughter," and "The Clairvoyant." One could nitpick about various omissions, but the bottom line is that A Real Live One isn't an album Maiden devotees will want to pass up.

Virtual XI is the eleventh studio album by English heavy metal band Iron Maiden, released on 23 March 1998. This would be the second and final studio album to feature Blaze Bayley, as he was dismissed from Iron Maiden following a February 1999 announcement that Bruce Dickinson and Adrian Smith, who left in 1993 and 1990 respectively, would be returning to the line-up. Virtual XI's title is tied in with two extra-musical events: the release of the band's computer game, Ed Hunter, and the fact that the 1998 FIFA World Cup would be taking place in June of that year. Harris explains, "We figure our fans are pretty much the same as we are, with pretty much the same interests, so we thought, 'It's World Cup year in '98.

Semi-legendary of the early days for Iron Maiden front-man jobs on the shoulders of this man born of Chingford, London as Paul Andrews or being well known over the entire Heavy Metal scene as Paul Di’Anno for quite not long terms before he’d being kick-out the legendary iconic band but never surrender to then, brought his own style of operatic and symphonic Heavy Metal super-power attitude for counting the days just like everyone would keep knowing him as a metallic ex-martyr turning to a travelling rockers of his own realm and musical sounds with mostly, fantasy and horror tales background themes just like this latter releasing for the millennium or compilation of more powerful vocals, out-takes and remixed materials from his previous album.