This 45-song, two-disc collection is subtitled "two decades of killer fretwork", and never was a set so aptly described. Chess Records was the home to seemingly every hot guitar player in the Chicago area, and many of them make their appearance here. Besides the usual label guitar hotshots (Muddy Waters, Jimmy Rogers, Chuck Berry, Bo Diddley, Buddy Guy, Lowell Fulson, Earl Hooker, Otis Rush, Robert Nighthawk, Little Milton), space is given to sideman work from legends like Hubert Sumlin and Robert Jr. Lockwood and great one-offs by lesser-known artists like Jody Williams, Danny Overbea, Eddie Burns, Joe Hill Louis, Morris Pejoe, Lafayette Thomas and others. It seems as if everyone recorded for Chess at one time or another, also explaining the inclusion of tracks by John Lee Hooker, Albert King, Clarence "Gatemouth" Brown, Lonnie Brooks, Hound Dog Taylor and Elmore James. If electric blues guitar's your thing, then look no further than this fine two-disc compilation.
Die ultimative Blues Kollektion vom Mississippi bis in die Metropolen. In dieser Box befinden sich die Aufnahmen von 100 legendaren Bines Grossen. Die Stile, die Ausstrahlung, die Geschichten und naturlich die geniale Ausubung ihrer Kunst machten sie einzigartig und beeinflussten Generationen nachfolgender Kunstler. Die altesten Mitglieder wurden Ende des 19ten Jahrhunderts geboren, die jungsten unter ihnen spielen noch heute live in ausverkauften Hausern. Die Musik in dieser Box wird Sie befliueln oder erden, zum Tanzen oder Weinen bewegen. Egal oh Zweisamkeit oder in einsamen Stunden: eines ist sicher: Der Blues lebt weiter!
Although this release is titled The Blues of Snooks Eaglin, there isn't really a whole lot of blues here, which isn't a complaint, since most of Eaglin's output defies easy categorization anyway, and whether you call it blues, R&B or New Orleans street music, it hardly matters, since it's going to sound mostly like Snooks……
One of the most celebrated singers in the world, Barbara Hendricks was invited by Claude Nobs, founder of the Montreux Festival, to take her first steps in the world of jazz in 1994. In fact, what could have been more natural? This music has lived in her for ever, it is part of her roots, of someone who first started singing with the Negro spirituals in the church of her father, a pastor in Arkansas.
Less a summit meeting of two bluesmen from different continents than a cozy, loose musical conversation between friends who share similar interests, Visions is a low-key but poignant album whose charms grow stronger as it progresses. American soul/roots singer/songwriter Terry Evans is probably better known through his background singing for Ry Cooder and a few Cooder produced releases with fellow vocalist Bobby King than his impressive solo recordings. Hans Theessink, who is also a singing, songwriting guitarist (he blows harp here as well), hails from the Netherlands and is well known in Europe for a bulging collection of solo discs dating back to 1970. Both push the boundaries of soul, blues, gospel, and roots music and have worked extensively together in the past. This 2008 collaboration finds the duo joining with percussionist Phil Block and Richard Thompson (on electric guitar for two tracks)…
People call Chicago The Home Of The Blues. It may not be where the blues came from but it s where the blues came to live. It’s the place where Muddy Waters, Howlin’ Wolf and Jimmy Reed laid down the songs that inspired the Rolling Stones and the Yardbirds. The blues was the bedrock on which Jimmy Page created Led Zeppelin, the band that helped to change pop music forever. Chicago was the mecca for Buddy Guy, Otis Rush, Magic Sam, Elmore James and a host of others who arrived in the city to make their fortune. The process had begun decades earlier, when record companies first came to town.
Less a summit meeting of two bluesmen from different continents than a cozy, loose musical conversation between friends who share similar interests, Visions is a low-key but poignant album whose charms grow stronger as it progresses. American soul/roots singer/songwriter Terry Evans is probably better known through his background singing for Ry Cooder and a few Cooder produced releases with fellow vocalist Bobby King than his impressive solo recordings. Hans Theessink, who is also a singing, songwriting guitarist (he blows harp here as well), hails from the Netherlands and is well known in Europe for a bulging collection of solo discs dating back to 1970. Both push the boundaries of soul, blues, gospel, and roots music and have worked extensively together in the past. This 2008 collaboration finds the duo joining with percussionist Phil Block and Richard Thompson (on electric guitar for two tracks)…