Jazz 2025

Highly acclaimed guitarist, multi instrumentalist, composer and producer Igor Osypov with his crunchy and distortedly liquid sound has become one of the distinct and impressive voices in jazz as well as indie-rock, hip-hop and fusion.

In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band's alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Jazz guitar virtuoso Pasquale Grasso and his trio celebrate the release of Be-Bop! at Dizzy’s Club at Jazz at Lincoln Center on Monday, August 22. Performances are at 7:30 and 9:30PM. Joining Grasso are bassist Ari Roland and drummer Keith Balla.

BOOM. It's the first thing you hear, the first thing you notice. A bass drum strike so hard and heavy, it's sound carries for blocks. In fact, you probably feel it before you actually hear it. BOOM BOOM. A bottom-end so deep, it let's everyone know: the band is on it's way. BOOM BOOM BOOM And before you can even see 'em, you can hear 'em, clearing the way: angel trumpets, devil trombones, rat-a-tat snares, pulsing tubas, and at the center of it all, the anchor, the rock, the gravity that keeps it all from spinning out and flying off into space, the bass drum. The steady beat that lays the foundation for every feat the brass band can accomplish. The beat that sets the slow and reverential pace for a walk of remembrance towards the cemetery. The beat that dictates the rhythm of the joyous dance on the corner. The beat that puts butts in motion. That bass drum beat is the heartbeat of New Orleans, the organ that pushes the blood through the arteries and veins of our city streets, and the biggest and strongest heart was Kerry "Fat Man" Hunter. When the bass drum was strapped over his shoulders and the mallets were in his hands, he let 'em know-loud, proud and undeniable was his style, and it's that style that's at the heart of For Fat Man, the new recording by the Preservation Hall Brass.

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, composer, bandleader, pianist, and author.

Chesney Henry "Chet" Baker Jr. was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: Chet Baker Sings (1954) and It Could Happen to You (1958). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s.

"Another Song for MJ" is a jazz project by Korean tenor saxophonist Myeonghan Yu, featuring pianist Jaehun Kang, bassist Changmin Jun, and drummer Sangmin Lee.

Carlos Dafé, born in Vila Isabel, Rio de Janeiro, grew up surrounded by music and poetry. His father, a chorinho player, and his mother, a poet, nurtured his talent from a young age. By four, he was correcting notes in his father’s rehearsals; by eleven, he was studying at the Conservatory of Music, and by fourteen, he was performing with ensembles and orchestras. In the 1970s, Dafé became a pillar of Brazil’s Black music, known as the Prince of Soul,”a title bestowed by Nelson Motta, Dafé brought samba, soul, and funk into harmony, creating enduring hits like A Beleza É Você Menin.

We at Real Gone Music were so knocked out by The Skipper and The Skipper at Home, the two Black Jazz-label releases we put out from Henry Franklin, that we hunted down the rights to his next record, Tribal Dance, recorded in 1977 for the little-known Catalyst label.

Annie Ross (born Annabelle Allan Short; 25 July 1930 – 21 July 2020) was a British-American singer and actress, best known as a member of the influential jazz vocal trio Lambert, Hendricks & Ross. She helped pioneer the vocalese style of jazz singing, with a style described by critic Dave Gelly as "a kind of dreamy watchfulness that is a definition of 1950s hip." In 2010, she was named a Jazz Master by the National Endowment for the Arts.