Jazz Philharmonic

The eminent Berlin Philharmonic Wind Quintet (BPWQ) has recorded a number of discs for BIS, with their latest CD here featuring three composers born in what is now the Czech Republic. The disc opens with a wind quintet by Anton Reicha, who in the early 19th century ‘invented’ the entire genre, and closing with one of the absolute pinnacles in 20th-century chamber music for winds, namely Janáček’s Mládí (‘Youth’) from 1924.

Some songs are so deeply rooted in the attitude to life of a region that one can rightly call them 'Hits.' Broadway and its motion picture shows and theaters were synonyms of national cultural identity for New York and the American way of life. The names and melodies of composers such as Irving Berlin, Cole Porter, George Gershwin, Benny Goodman were omnipresent in New York. They are part of national history, just as the film in Babelsberg in Berlin developed a unique cultural flowering after the First World War. Talented composers such as Friedrich Hollander, Walter Jurmann, and Peter Kreuder became famous overnight through films like 'The Blue Angel.' The famous hit 'Falling in Love Again' (the German translation writes literally: 'I am attuned to love from head to toe') and the legs of the beautiful Marlene Dietrich enchanted Berlin and the whole world. With the invention of sound film, a new, sparkling musical genre emerged: dance and film music, which developed its specific sound through jazz bands.

‘The Bach violin concertos are not only one of the Baroque period highlights, but are one of the foundations of the entire history of music’ writes Swedish violinist Christian Svarfvar on his new album of Bach Re Composed by fellow Swede Johan Ullén. ‘It’s a whole world of beauty in 60 minutes. Then you may ask yourself: why recompose something that is already so perfect?’ The result is this brilliant album of re-composed Bach concertos, with a fearless and technically challenging stratospheric solo violin part contrasting with enriched cellos and basses. For those who loved Max Richter’s Four Seasons Re Composed, Infinite Bach will be a wonderful discovery for them. Bach was forward looking and his influence has travelled the centuries, influencing jazz, rock and pop musicians as well as every classical composer who came after him.

Various Artists - Jazz At The Hollywood Bowl (1956) {2CD Hip-O Select-Verve B0015738-02 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 761 Mb | MP3 @320 -> 334 Mb
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© 1956, 2011 Hip-O Select / Verve | B0015738-02
Jazz / Cool / Bop / Swing

This double LP was the first jazz concert ever recorded at the Hollywood Bowl (and only the second one held at that L.A. institution). Although not an official Jazz at the Philharmonic concert, it has the same basic format and was also produced by Norman Granz. Trumpeters Roy Eldridge and Harry "Sweets" Edison, tenors Flip Phillips and Illinois Jacquet, the Oscar Peterson Trio and drummer Buddy Rich all jam on "Honeysuckle Rose" and "Jumpin' at the Woodside" and there is also a ballad medley and a drum solo by Rich. In addition the Oscar Peterson Trio plays two numbers, the remarkable pianist Art Tatum (in one of his final appearances) has four, Ella Fitzgerald sings six songs (including a scat-filled "Airmail Special") and collaborates with Louis Armstrong on two others. For the grand finale nearly everyone returns to the stage for "When the Saints Go Marching In" which Armstrong sings and largely narrates, cheerfully introducing all of the participants. This is a historic and very enjoyable release featuring more than its share of classic greats.

Here is an example of crossover marketing '90s style - a classical conductor/jazz pianist signed to the classical Deutsche Grammophon label, whose previous jazz album issued on DG got lost in the shops and whose next disc was prudently shifted over to PolyGram's jazz line, Verve. The occasion was a rare jazz concert in Vienna's legendary, acoustically marvelous symphony hall, the Musikvereinsaal, where Previn - who normally leads the Vienna Philharmonic there - enraptured the Viennese with his piano/guitar/bass trio. According to Previn, one member of the Philharmonic was astonished to learn that the music was made on the wing ("You improvised in public?!," he exclaimed). Well, it wasn't that big a deal for Previn and his usual cohorts Mundell Lowe (guitar) and Ray Brown (bass), who turn in an amiable collection of mostly vintage standards that they probably know in their sleep…