Jazz Dancers

Many straight-ahead bop musicians would never consider recording traditional folk songs from the British Isles, but that's exactly what Johnny Griffin does on The Kerry Dancers and Other Swinging Folk - and this Orrin Keepnews-produced album just happens to be one of his best releases of the 1960s. Joined by pianist Barry Harris, bassist Ron Carter, and drummer Ben Riley, the big-toned Chicago tenor man turns his attention to four traditional folk melodies: "The Londonderry Air" (also known as "Danny Boy"), "Green Grow the Rushes" (a Scottish favorite), "The Kerry Dancers" (an Irish piece), and "Black Is the Color of My True Love's Hair" - all of which work perfectly well in an acoustic jazz setting. Not everything on this album (which was recorded in late 1961 and early 1962) is a folk song from the British Isles; the other half of the album ranges from Griffin's moody "Oh, Now I See" to the John Coltrane-influenced "25 1/2 Daze"…

A superb modern jazz pianist, Stanley Cowell is a highly regarded artist whose work often pushes the boundaries of forward-thinking hard bop without ever falling into completely avant-garde territory. Cowell played with Marion Brown, Max Roach, Bobby Hutcherson, Clifford Jordan, Harold Land, Sonny Rollins and Stan Getz. Cowell played with trumpeter Charles Moore and others in the Detroit Artist's Workshop Jazz Ensemble in 1965–66. In 1971, Cowell co-founded the record label Strata-East with trumpeter Charles Tolliver. The label would become one of the most successful Black-led, independent labels of its day. During the late 1980s, Cowell was part of a regular quartet led by J.J. Johnson.

Jazz bagpipes? The one master is Rufus Harley, who does about all that can be done with that unpromising instrument. After all, once one blows a note, the sound is sustained until the air empties out. This well-conceived sampler draws its music from Harley's Atlantic albums (Scotch & Soul, Bagpipe Blues, and Deuces Wild), plus his guest spot on a Herbie Mann album. Harley, who also is heard playing a bit of soprano, tenor, and flute, performs such numbers as "Feeling Good" and "Pipin' the Blues," the latter teaming him with altoist Sonny Stitt. This sampler is worth exploring.

Rufus Harley - Bagpipe Blues (1965) {2013 Japan Jazz Best Collection 1000 Series WPCR-27428}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 600 dpi (png) -> 156 Mb | 5% repair rar | 24bit remaster
© 1965, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27428 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Soul Jazz / Saxophone / Flute / Bagpipes

Features 24 bit remastering and comes with a mini-description. An amazing record, from an amazing player – the mighty Rufus Harley, heard here on tenor, flute, and soprano sax – as well as bagpipes, his "trademark" instrument! Don't be put off by the bagpipes, though, because Harley plays in a righteous soul jazz groove, and uses the instrument more like a Coltrane-ish reed soloing vehicle, with sheets of hard blown sound, than he does as a corny Scottish sounding one.

I Dig Dancers was, as the title indicates, aimed at attracting dancers and securing an identity for the band as a dance organization. There is, therefore, a plenitude of tunes eminently suitable for tripping the light fantastic to a band with a full solid ensemble sound and relaxed, clever and swinging arrangements at tempos tailor-made for the ballroom. The band assembled here was an all-star aggregation that was put together to support a European tour of “Free and Easy”. When that show ended, Jones took this great band, that featured Benny Bailey, Clark Terry, Phil Woods and others, on a tour of Europe and also made many of these recordings. After returning to the states, Jones made some more recordings, this time with Freddie Hubbard and Oliver Nelson on board.

In 1977, the New York Jazz Quartet, a part-time quartet most active from 1975-81, consisted of Frank Wess on tenor, flute and soprano, pianist Roland Hanna, bassist George Mraz and drummer Richard Pratt. The band essentially performed modern mainstream jazz, with the originals of Hanna and Wess consistently challenging the players to come up with fresh statements. On this set, there are four Hanna tunes (including "Time for the Dancers" and the lengthy title cut), plus a pair of Wess compositions. Excellent music that swings but avoids predictability.

For Remixes JID020, the label has tapped a few of their favorite contemporary artists and producers to offer their own take on the music of Series 2. The album features a variety of dynamic personalities with remixes from London based artists Shabaka Hutchins and Theon Cross, New York tastemaker Melanie Charles, LA based producer Bei Ru, Brazil’s Dj Nyack, Detroit based producer Tall Black Guy, Bay Area producer Mophono and the LA based house duo LO & Diisko.