jd Oliva

Stephan Oliva - Orbit (2019) {Yolk Records ‎YOLK J2075}
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© 2019 Yolk Records ‎| YOLK J2075
Jazz / Contemporary Jazz / Modern Creative / Piano Trio

The piano trio with bass and drums is one of the paramount forms of jazz. It permeates history and is a sort of “banner” for the standard measure of this music and a reference point by which one may appreciate the evolution of a century-old form of jazz. And ORBIT is a new chapter in that story. A pun on the initials Oliva-Rainey-Boisseau International Trio, ORBIT is a theme that drives the music of the group, perfectly illustrating what today’s trio can be: a universe of individual paths, instruments, personalities in orbit around each other. Three spheres of attraction and freedom, influence and feed into the two others. This theme naturally lends itself to the tracks that make up the album - Circles, The Tourniquet, Spirals, Wavin - but the music itself draws its energy, kinetics and interactions from it.

Fans of Angela Hewitt will be delighted to find her in chamber mode, accompanying Andrea Oliva (described as ‘one of the best flutists of his generation, a shining star in the world of the flute’ by Sir James Galway) in a programme of J S Bach’s flute sonatas (including one by his most famous and talented son, CPE). Of unfailingly remarkable quality, all these works exploit the full potential of an instrument which was only just coming into its own when they were written. Oliva’s lyricism and agility coupled with Hewitt’s musicianship—not to mention her lifelong rapport with Bach’s music—make this an album to treasure.

NOT TiGHT is the long-awaited debut album from virtuosic Gen Z duo, DOMi and JD Beck, released on Anderson .Paak’s new label Apeshit in partnership with the legendary jazz label Blue Note Records. It features the likes of Thundercat, whose deadpan funk is their closest antecedent, Herbie Hancock, Snoop Dogg, Busta Rhymes, Mac DeMarco, Kurt Rosenwinkel, and .Paak himself. Their music finds both humour and greatness in harmonic complexity and rhythmic shiftiness, abruptly adopting and ditching tempos, toying with time signatures, and sneaking extra beats into bridges. They offer winking breaks and gleeful pivots, but the album is more composed than anything they’ve done before, toying with pop structures and pretty restraint. That befits their origin story. The duo first played together in a room full of blaring demos at a trade show, but they bonded over gauche keyboard FX and mom jokes. Over the next year and a half, they wrote and recorded much of the album at JD’s house in Dallas on drums and a 49-key MIDI board with just a few mics. Along the way, DOMi and JD Beck have sat in with Herbie Hancock and backed Thundercat, Ariana Grande, Eric André, and more; they also co-wrote “Skate” on .Paak’s Grammy-winning album with Bruno Mars as Silk Sonic.