Jeremiah 1

In Memory Of The Labyrinth System is the debut album from American clarinetist Jeremiah Cymerman. This was self-recorded and created, released on John Zorn's Tzadik label. It is a recording that does more with a clarinet than what you believe it can do.

Fire Sign is the 2011 album by clarinetist Jeremiah Cymerman. This was released by Tzadik as part of the label's Composer Series and is one of two albums Cymerman made for the label.

Purification/Dissolution is the 2012 album by jazz experimentalist Jeremiah Cymerman. This was released on his own 5049 label.

The Lumineers’ co-founder, songwriter, and multi-instrumentalist Jeremiah Fraites and ambient musician and sound artist Taylor Deupree have teamed up and release today Northern (Redux). Out via Dualtone Records/Mercury KX, Northern (Redux) is a complete reimagining of Deupree’s acclaimed 2006 album featuring new piano contributions written and recorded by Fraites along with renewed versions of the original tracks composed by Deupree. The result is a hypnotic, majestic album filled with sweeping atmospheric melodies and rich, transformative soundscapes.

From the Early Middle Ages, Holy Week, one of the most solemn periods of the Christian year, has provided the context for extraordinary musical events. The singing of the passion story according to the evangelists has constituted one of the best-known of these special events. The chanting of passages from the Lamentations of Jeremiah on Maunt Thursday, Good Friday, and Holy Saturday as part of the monastic nocturnal service of Matins has constituted another.

Few composers could list an array of artists as diverse as BB King, Steppenwolf, Elvis Presley, Joan Baez, Arlo Guthrie, John Denver, Waylon Jennings, The Crusaders, The Kingston Trio and Ringo Starr who have covered their songs. Hoyt Axton’s best-known song ‘Joy To The World’, a # 1 hit for the American vocal band Three Dog Night in 1971, starts with the line “Jeremiah was a bullfrog, was a good friend of mine”. Hence, after many albums with the Vee-Jay, Capitol, A&M and MCA labels through the 60s and 70s, when Axton started his own record label in 1979 he named it Jeremiah Records.

Horsepower For The Streets is Jonathan Jeremiah’s fifth album, his second for PIAS, a label which feels like a good home for a soulful singer linked to a cadre of artists more readily associated with mainland Europe than his own island. So far at least.

Under A Blue Grey Sky is the 2010 album by American jazz experimentalist Jeremiah Cymerman. This one explores six movements through textures, with a classical theme in part, both feminine and masculine. This was released on the Porter label.