Guitar virtuoso Joe Satriani has long defined his style not just by razor-sharp chops, but also by the spirit of imagination and curiosity that shines through in his most innovative work. Recorded slowly and patiently at his home studio while the COVID-19 pandemic kept him from touring, The Elephants of Mars highlights Satriani's imaginative approach to instrumental guitar rock, twisting his already versatile guitar sounds into new forms of warped, fantastical, and often fun-loving compositions. Album-opener "Sahara" is as dust-swept as the title suggests, with a slow, broiling melodic figure switching gears to cosmic distortion tones midway through. By the end, the song has traveled from the Sahara desert to a red planet in a different solar system.
"Engines of Creation" is an album by Joe Satriani which was an experiment in fusing the "analog" instrumental electric guitar genre with the more modern "digital" music genres of techno, drum 'n bass, and industrial music. All of the songs on the album with the exception of one ("Until We Say Goodbye") were recorded using only guitars recorded and mixed untraditionally on computer platforms as well as digitally "manipulated" using computer software and synthesizers.
The song "Until We Say Goodbye" was nominated for the 2001 Grammy Award for Best Rock Instrumental Performance.Wikipedia
In 2013, over a quarter century removed from his first album, Joe Satriani uses his solo albums as a way to stretch himself, both to flaunt his skills and perhaps to move him into areas where he's not quite comfortable. Unstoppable Momentum, his first album since 2010's boogie- and prog-heavy Black Swans & Wormhole Wizards, finds the guitarist occasionally indulging himself in a bit of swing, letting him ride an elastic beat ("Three Sheets to the Wind" has a supremely delicate touch), and he also digs into a bit of a nasty ZZ Top groove on…