As part of ECM'0bs Old & New Masters series of box sets, John Abercrombie's The First Quartet collects three albums recorded for the label between 1978 and 1980. Two titles, 1979's Abercrombie Quartet and 1981's M, have been unavailable for decades. By the guitarist's own admission, this band represents the guitarist's first time as a "proper" bandleader. His earlier dates on ECM had been co-led sessions (Timeless, Gateway, Sargasso Sea), a solo album (Characters), and sideman gigs (Jack DeJohnette's New Directions, David Liebman's Lookout Farm, etc.). These three dates also represent an important foundation for Abercrombie as a composer.
John Abercrombie Quartet: Up and Coming Starting the new year with, if not precisely a bang, a nevertheless unforgettable record whose strength lies in pristine lyricism, nuanced group interplay and writing that capitalizes on the entire quartet's appreciation of subtlety over gymnastics and refined lyricism over angularity, John Abercrombie's Up and Coming—ECM's first release of the year—is also founded strongly on the concept of relationship.
John Abercrombie Quartet: Up and Coming Starting the new year with, if not precisely a bang, a nevertheless unforgettable record whose strength lies in pristine lyricism, nuanced group interplay and writing that capitalizes on the entire quartet's appreciation of subtlety over gymnastics and refined lyricism over angularity, John Abercrombie's Up and Coming—ECM's first release of the year—is also founded strongly on the concept of relationship. The guitarist has been playing with Marc Copland since the pianist's days in the early '70s as a saxophonist before deserting it entirely for a career and discography that's as rich and rewarding as Abercrombie's…
“Within A Song” celebrates the spirit of discovery that illuminated the jazz of the 1960s, as John Abercrombie declares his musical loyalties in a quartet album that pays tribute to a range of early influences including Miles Davis, John Coltrane, Bill Evans, Ornette Coleman, Sonny Rollins and Jim Hall. “This was the music that spoke to me. When I heard it, it was like finding a new home.” The group assembled especially for this production, recorded at New York’s Avatar Studios in September 2011 features tenorist Joe Lovano as the optimal partner for Abercrombie. Together they mine deep feelings from these modern jazz classics.
There is an easy familiarity among the participants on the John Abercrombie Quartet's 39 Steps. Each of its members – guitarist, pianist Marc Copland, bassist Drew Gress, and drummer Joey Baron – have played together in various situations for decades. In the case of Abercrombie and Copland, their association goes back some 40 years to Chico Hamilton's touring group and the fusion band Dreams. Both Baron and Gress have played with the guitarist and pianist on and off since the '90s.
Guitarists John Abercrombie and John Scofield join forces for these early-'80s sessions, mostly duets while occasionally adding bassist George Mraz and drummer Peter Donald. They delve into the jazz canon with an intricate duet of "Solar," a driving, Latin-fused take of "Four on Six" (in which Abercrombie overdubs an electric mandolin), and a dreamy duo interpretation of "If You Could See Me Now." The sole standard, "I Should Care," fares just as well in their hands, which settles into a relaxed exchange between the two players as if they are playing for themselves alone. Scofield's "Small Wonder" is scored for the quartet, a bristling post-bop vehicle with a feature for Mraz as well.
Recorded live at The Manhattan Center in New York on October 17, 1998 and produced by Rob Walls & Paul Siegel for Hudson Music, Ltd., under exclusive license to Stretch Records, Inc., this innovative quartet comes together with a wallop. Each of the foursome is an experienced leader, and each artist meets the criteria of Chick Corea’s Stretch label. The session is adventuresome, modern, and of high quality.